读过《Those Who Leave and Those Who Stay》 🌕🌕🌕🌕🌑
这本大概能有四星半,是这个四部曲里,我看到目前为止,完成度最高的一本,不管是故事过程中人物的成长,还是人物故事与时代背景的融合,都很自然和完整,而且行文流畅到让我只想一口气读完……然而读得那个气啊……Lila,傻逼,Nino,傻逼,Lenu,傻逼,Pietro,还是傻逼……每一个人都傻逼得那么意料之中和不能免俗,大概这一点才是最让人生气的……
Those Who Leave and Those Who Stay [Book] Douban
9.2 (21 ratings)
author:
Elena Ferrante
translator:
Ann Goldstein
publishing house:
Europa Editions
2014
- 9
Soon to be an HBO series, book three in the New York Times bestselling Neapolitan quartet about two friends in post-war Italy is a rich, intense, and generous-hearted epic by one of today's most beloved and acclaimed writers, Elena Ferrante, “one of the great novelists of our time.” (Roxana Robinson, The New York Times)
In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.
In the third book in the Neapolitan quartet, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.
Ferrante is one of the world’s great storytellers. With the Neapolitan quartet she has given her readers an abundant, generous, and masterfully plotted page-turner that is also a stylish work of literary fiction destined to delight readers for many generations to come.