This masterly collection of texts interrogates the raging academic question, What is art history? Editor Preziosi, who directs ground-breaking critical studies of art history and museology, provides introductions to 35 challenging readings gathered in nine chapters. This plethora of alternatives is curiously complicated, even obfuscating. Covered here are the most current and relevant approaches to aesthetics, style, iconography and semiology, feminism, gender studies, formalism, postmodernism, deconstruction, museography, hybridity, and multiculturalism; those offering critical analysis range from Winckelmann, Kant, Wolfflin, Panofsky, Schapiro, Gombrich, and Derrida to Rosalind Krauss and Carol Duncan. Ultimately, this book is best suited to upper- and graduate-level collections and to the reference shelf of specialized art collections, as it proposes the discipline of art history itself as an art.AMary Hamel-Schwulst, Towson Univ., MD