看过《湧浪之间》 🌕🌕🌕🌕🌕
散文般的敘述，賦比興來做四節，貌似各取一處，管中窺豹，其實聯繫緊密，從水到貨運，機器化與人類角色，風水；從鋼鐵玻璃的籠子，到水晶宮每塊玻璃都是勞工吹出反襯西方貴族的所謂衛生，等級的拒人卻反而內心流露自然美好的微妙，甚至還有植物園學家的實驗室與烏托邦的對應，然而hk卻似永遠都有散發瘴氣且深埋土中的根；從重慶大廈種族語言習慣飲食，到南亞融合的文化再到鴿子籠，進而是擠壓的社會和靈魂，人在這種環境下究竟在想些什麼；從音樂噴泉的消失到商場的明亮，恰又呼應了前面水晶宮的樣子，然而內心卻是從公屋的迴響震顫到扶梯的聲音和人性，所以到底是什麼是內心衝動尋找的聲音和價值？是冰冷豪華的現代，還是爬滿跳蚤的鴿籠，是風水的優雅設計，還是爛尾樓雜草叢生？人如此努力是為何？也許燈光淡下，會有結果。
Movie
Many Undulating Things (2019)
湧浪之間 IMDb TMDB Douban
other title:
湧浪之间
/
湧浪之間
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The film begins and ends in a shopping centre in Hong Kong. We carefully observe the smooth movement of the escalators, the constant flow of people that never stops, the musical fountain that presides over the centre of the internal courtyard, as if this gigantic complex could concentrate the circulation of the entire city, or even, the entire country. From there, it will be more a tale about concrete, enormous port warehouses, glazed galleries built for the 2010 universal exhibition, overpopulated tower blocks, the fragments of still recent colonialism...