读过《HR Giger》 🌕🌕🌕🌕🌑
很认真地看完,文字部分不算多,只有三篇介绍性的文章和大事记。本来以为这本书就是TASCHEN25周年时候出的那本www.hrgiger.com的再版,后来看了亚马逊的介绍发现并不是。从选的作品来看重叠的还真不多,这本是以喷绘和一些早期最有代表性的作品为主,而之前的那本种类要丰富得多。所以如果不太了解Giger的人只看这本书的话会觉得他的创作比较单调,好像都是在重复那些元素而已。我还是最喜欢他70年代的作品,后期的也很好只不过没有那种震撼的感觉了。这本书的印刷要比15年前那本好很多,给四星的主要原因是居然是32开本,不知道TASCHEN是怎么想的,多半是只为了便宜好卖吧。刚才看了他们主页才发现其实有大开本的,限量1000册,1250美元。
Book
HR Giger
Douban
Andreas J. Hirsch
/
HR Giger
publishing house:
TASCHEN
2021
“At its essence, Giger’s art digs down into our psyches and touches our very deepest primal instincts and fears. His art stands in a category of its own. The proof of this lies in the intensity of his work and imagination, which I can only compare to Hieronymus Bosch and Francis Bacon in their powers to provoke and disturb.” ―Ridley Scott
Swiss artist HR Giger (1940–2014) is most famous for his creation of the space monster in Ridley Scott’s 1979 horror sci-fi film Alien, which earned him an Oscar. Yet this was just one of the most popular expressions of Giger’s biomechanical arsenal of creatures, which consistently merged hybrids of human and machine into images of haunting power and dark psychedelia. The visions drew on demons of the past, as well as evoking mythologies for the future. Above all, they gave expression to the collective fears and fantasies of his age: fear of the atom, of pollution and wasted resources, and of a future in which our bodies depend on machines for survival.
Following the SUMO-sized monograph which was begun shortly before the artist's unexpected death, this affordable anniversay edition pays homage to Giger’s unique vision. The book shows the complete story of Giger’s life and art, his sculptures, film design, and iconic album covers as well as the heritage he left us in his own artist’s museum and self-designed bar in the Swiss Alps. In an in-depth essay, Giger scholar Andreas J. Hirsch plunges into the themes of the artist’s oeuvre while an extensive biography draws on contemporary quotes and Giger’s own statements.