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Until a late flurry of percussion arrives, doleful guitar and bass are Solána Rowe’s only accompaniment on opener “Supermodel,” a stinging kiss-off to an adulterous ex. It doesn’t prepare you for the inventively abstract production that follows—disembodied voices haunting the airy trap-soul of “Broken Clocks,” “Anything”’s stuttering video-game sonics—but it instantly establishes the emotive power of her rasping, percussive vocal. Whether she’s feeling empowered by her physicality on the Kendrick Lamar-assisted “Doves in the Wind” or wrestling with insecurity on “Drew Barrymore,” SZA’s songs impact quickly and deeply.