Sweet Company

Perhaps it’s overly optimistic to call the 20s music’s age of inclusivity, but it is fair to say that there are a wider range of opportunities to be heard – even if they don’t always translate into fair compensation for artists. Still, even in this world of ever-more-granular genre splintering, Vicky Farewell is harder to pigeonhole than most. A first-generation American who trained as a classical pianist, she claims to be influenced by everything from radio jingles to sacred choral music, while her CV of associated acts – Anderson .Paak, Mac DeMarco, Mild High Club – reads like a catalogue of oddballs.

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