Hearing Cultures
Douban
Essays on Sound, Listening and Modernity
Erlmann, Veit 编
Overview
Vision is typically treated as the defining sense of the modern era and a powerful vehicle for colonial and postcolonial domination. This is in marked contrast to the almost total absence of accounts of hearing in larger cultural processes. Hearing Cultures is a timely examination of the elusive, often evocative, and sometimes cacophonous auditory sense - from the intersection of sound and modernity, through to the relationship between audio-technological advances and issues of personal and urban space. As cultures and communities grapple with the massive changes wrought by modernization and globalization, Hearing Cultures presents an important new approach to understanding our world. It answers such intriguing questions as: * Did people in Shakespeare's time hear differently from us? * In what way does technology affect our ears? * Why do people in Egypt increasingly listen to taped religious sermons? * Why did Enlightenment doctors believe that music was an essential cure? * What happens acoustically in cross-cultural first encounters?* Why do Runa Indians in the Amazon basin now consider onomatopoetic speech child's talk? The ear, as much as the eye, nose, mouth and hand, offers a way into experience. All five senses are instruments that record, interpret and engage with the world. This book shows how sound offers a refreshing new lens through which to examine culture and complex social issues.
contents
Acknowledgments vii
Participants in the 2002 Wenner-Gren Symposium ix
1 But What of the Ethnographic Ear? Anthropology, Sound,
and the Senses
Veit Erlmann 1
2 Listening to the Wild Blue Yonder: The Challenges of
Acoustic Ecology
Bruce R. Smith 21
3 Ambiguous Traces, Mishearing, and Auditory Space
Paul Carter 43
4 Language and Nature in Sound Alignment
Janis B. Nuckolls 65
5 Raising Spirits and Restoring Souls: Early Modern Medical
Explanations for Music’s Effects
Penelope Gouk 87
6 Ether Ore: Mining Vibrations in American Modernist
Music
Douglas Kahn 107
7 Hearing Modernity: Egypt, Islam, and the Pious Ear
Charles Hirschkind 131
8 Edison’s Teeth: Touching Hearing
Steven Connor 153
9 Thinking about Sound, Proximity, and Distance in
Western Experience: The Case of Odysseus’s Walkman
Michael Bull 173
10 Wiring the World: Acoustical Engineers and the Empire of
Sound in the Motion Picture Industry, 1927–1930
Emily Thompson 191
References 211
Contributors 231
Index 233