A History of Contemporary Chinese Art
Douban
1949 to Present
Yan Zhou
Sinossi
Chinese art has experienced its most profound metamorphosis since the early 1950s, transforming from humble realism to socialist realism, from revolutionary art to critical realism, then avant-garde movement, and globalized Chinese art. With a hybrid mix of Chinese philosophy, imported but revised Marxist ideology, and western humanities, Chinese artists have created an alternative approach – after a great ideological and aesthetic transition in the 1980s – toward its own contemporaneity though interacting and intertwining with the art of rest of the world. This book will investigate, from the perspective of an activist, critic, and historian who grew up prior to and participated in the great transition, and then researched and taught the subject, the evolution of Chinese art in modern and contemporary times. The volume will be a comprehensive and insightful history of the one of the most sophisticated and unparalleled artistic and cultural phenomena in the modern world.
contenuti
周彦作为中国艺术发展的参与者、批评者和史学研究者的三重身份撰写此书。新书按照编年史结构,共分为六章,分别为:视觉乌托邦:十七年艺术(1949-1966),反文化:文革艺术(1966-1976),真善美:后文革艺术(1977-1984),艺术狂飙:先锋艺术运动(1984-1989),全球化冲击下的艺术(1989-1999),当代艺术的体制化与身份(2000迄今)。其中,第六章将本世纪二十年都纳入其中,也是作者所花笔墨最多的一章,重点讨论了“体制化”和“身份”这两个关键词。相较近十年出版的外文中国现当代艺术史书籍,这是唯一一本涉及建国后七十年的艺术史著作。