The Psychology of Music
Douban
Third Edition
Diana Deutsch
résumé
The aim of the psychology of music is to understand musical phenomena in terms of mental functions - to characterize the ways in which one perceives, remembers, creates, and performs music. New to this Edition: Completely revised to cover new developments including the opportunity to generate, analyze, and transform sound by computer, advances in neuroscience that influence thinking about the way music is processed in the brain, and increased collaboration between psychologists and musicians. It features: encompasses the way the brain perceives, remembers, creates, and performs music; contributions from the top international researchers in perception and cognition of music; and designed for use as a textbook for advanced courses in psychology of music.
contenus
Preface
Chapter 1: The Perception of Musical Tones
Andrew J. Oxenham
Chapter 2: Musical Timbre Perception
Stephen McAdams
Chapter 3: Perception of Singing
Johan Sundberg
Chapter 4: Intervals and Scales
William Forde Thompson
Chapter 5: Absolute Pitch
Diana Deutsch
Chapter 6: Grouping Mechanisms in Music
Diana Deutsch
Chapter 7: The Processing of Pitch Combinations
Diana Deutsch
Chapter 8: Computational Models of Music Cognition
David Temperley
Chapter 9: Structure and Interpretation of Rhythm in Music
Henkjan Honing
Chapter 10: Music Performance: Movement and Coordination
Caroline Palmer
Chapter 11: Musical Development
Laurel J. Trainor and Erin E. Hannon
Chapter 12: Music and Cognitive Abilities
Glenn Schellenberg and Michael W. Weiss
Chapter 13: The Biological Foundations of Music: Insights from Congenital Amusia
Isabelle Peretz
Chapter 14: Brain Plasticity Induced by Musical Training
Catherine Y. Wan and Gottfried Schlaug
Chapter 15: Music and Emotion
Patrik N. Juslin and John A. Sloboda
Chapter 16: Comparative Music Cognition: Cross-Species and Cross-Cultural Studies
Aniruddh D. Patel and Steven M. Demorest
Chapter 17: Psychologists and Musicians: Then and Now
Robert O. Gjerdingen