Ghost-Seers, Detectives, and Spiritualists
Douban
Theories of Vision in Victorian Literature and Science
Srdjan Smajić
Übersicht
This book is a study of the narrative techniques that developed for two very popular forms of fiction in the nineteenth century - ghost stories and detective stories - and the surprising similarities between them in the context of contemporary theories of vision and sight. Srdjan Smajić argues that to understand how writers represented ghost-seers and detectives, the views of contemporary scientists, philosophers, and spiritualists with which these writers engage have to be taken into account: these views raise questions such as whether seeing really is believing, how much of what we 'see' is actually only inferred, and whether there may be other (intuitive or spiritual) ways of seeing that enable us to perceive objects and beings inaccessible to the bodily senses. This book will make a real contribution to the understanding of Victorian science in culture, and of the ways in which literature draws on all kinds of knowledge.
Inhalt
Frontmatter
Contents
Acknowledgments
List of abbreviations
Introduction
PART I - OUTER VISION, INNER VISION: GHOST-SEEING AND GHOST STORIES
1 - Contextualizing the ghost story
2 - The rise of optical apparitions
3 - Inner vision and spiritual optics
4 - “Betwixt ancient faith and modern incredulity”
PART II - SEEING IS READING: VISION, LANGUAGE, AND DETECTIVE FICTION
5 - Visual learning: sight and Victorian epistemology
6 - Scopophilia and scopophobia: Poe's readerly flâneur
7 - Stains, smears, and visual language in The Moonstone
8 - Semiotics v. encyclopedism: the case of Sherlock Holmes
PART III - INTO THE INVISIBLE: SCIENCE, SPIRITUALISM, AND OCCULT DETECTION
9 - Detective fiction's uncanny
10 - Light, ether, and the invisible world
11 - Inner vision and occult detection: Le Fanu's Martin Hesselius
12 - Other dimensions, other worlds
13 - Psychic sleuths and soul doctors
Coda
Notes
Bibliography
Index
CAMBRIDGE STUDIES IN NINETEENTH-CENTURY LITERATURE AND CULTURE
