Films Directed by Women

A farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of vampires who roam the highways in stolen cars.

Based on his play by the same name, Neil LaBute's script follows a successful writer who, on the eve of his wedding, travels across the country to meet up with ex-lovers in an attempt to make amends for past relationship transgressions. Crisscrossing from Seattle to Boston, he reunites with high school sweetheart Sam, sexually free-spirited Tyler, married college professor Lindsay, his best friend's little sister Reggie, and "the one that got away" Bobbi. A modern-day Candide stumbling through a landscape familiar to most men-messy breakups.

Portrait of filmmaker Nicolas Winding Refn during the filming and release of ONLY GOD FORGIVES.

A nonfiction account of the Ferguson uprising told by the people who lived it, this is an unflinching look at how the killing of 18-year-old Michael Brown inspired a community to fight back—and sparked a global movement.

A hardened cop deals with three conflicting perspectives involving a brutal double murder. The case is complicated as the prime suspects are the parents who supposedly killed their teenage daughter.

1942年波兰华沙犹太人区的一名犹太教士拯救自己的同胞，尽管纳粹日益疯狂的暴行，但他们仍团结在一起与纳粹斗争。...卡罗维发利专供战火影视

All of the time and effort put forth to stage a musical is chronicled here in this bright and funny French outing. The story is set at a shopping mall where people audition for an upcoming show. Afterwards, they are seen going through the grueling routines of learning the music and rehearsing.

A young woman trapped in a web of dark family secrets finds herself in a dangerous triangle of love, jealousy, and deception, where the truth hides in her past.

The story about three radical environmentalists coming together to execute the most intense protest of their lives: the explosion of a hydroelectric dam.

What are the implications for democracy in Pakistan when secular political parties have succumed to the Islamic agenda? What does it mean when the army appears to be the only force able to contain the opponents of democracy? President Musharraf agrees to explore this apparent contradiction at length over dinner at his official residence, the Army House, with filmmakers Sabiha Sumar and Sachithanandam Sathananthan. They film encounters the MMA - an alliance of religious parties - a tribal parliament, truck drivers, young eite party goers, a Sindhi peasant woman and her husband and people on the street. The filmmakers engage them in discussions on President Musharraf and democracy. "Dinner with the President: A Nation's Journey" only partly explores the pressing questions regarding Pakistan's future and the prospect of current unelected President Pervez Musharraf. Flawed but most telling for Western viewers as a specifically Pakistani view of Musharraf's political dilemmas and the nature of his support and opposition.

2017 film directed by Daniela Thomas

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

1987 television film

1968 film directed by Márta Mészáros

The story of Gwen Araujo, a transgender teen who was murdered in California in 2002.

A continuation of "Diary for My Children," the film picks up in 1950, when Juli, the diarist, is 18 and determined to become a movie director.

Olga and Ruth become friends. Olga is independent, separated from her husband, living with an immigrant pianist, and teaching feminist literature. Ruth is withdrawn, a painter, possibly mentally ill. Ruth dreams in black and white, sometimes of her suicide. Olga lectures on a 19th-century writer, von Günderrode, a suicide after the breakup of her intense friendship with Bettina Brentano. Ruth's husband Franz encourages the women's friendship, then, as Olga draws Ruth out and the friendship deepens, he becomes jealous. After the women travel to Egypt, Franz has a tirade. Ruth seems crushed between her husband and her friend, and how she responds is the film's climax.

2010 television film directed by Hermine Huntgeburth

In Rome for a year at the American Academy, I created imaginary home movies of scenes from the life of Mary and Percy Shelley. I was attracted to these authors — their life of poetry, politics and sexual invention—and inspired by my previous fictionalizing of home movies in Covert Action and The Future is Behind You. I worked with non-actors, the seasons and the extraordinary architecture and landscapes of Italy where the Shelleys were in exile for six of their eight years together. The result was a feature film A Shape of Error, gorgeous, emotional and harnessed to the narrative. I wanted to go further and abetted by digital technology, I have ‘exploded’ the film. The result is UNBOUND, digressive, looped, unpredictable, symphonic, spontaneous, messy—like life and memory.

Cinderella and her family live mid 20th century, where fashion is practically everything. As her father is won over by a selfish woman named Claudette, Cinderella must keep her new step-mother from murdering the only family she has left. Add in an anti-social mermaid literally living in a cave, a bored prince with an ear for rock n' roll, and the glamour of the 1950's and one'll find that this story can't grow old.