Films Directed by Women

The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.

This film is a tale about a young girl who grew up in the slave caste group and how she came to be immortalized as their locality, Maadathy.

Influenced by filmmakers as diverse as Ed Pincus and Carolee Schneemann, Anne Charlotte Robertson was a Boston area Super 8 filmmaker who examined and shared her life through her work – a mix of essay, performance and stop-motion animation. Diagnosed with various and changing mental disorders, Anne faced several breakdowns and mental hospitals – experiences she documented and exorcised thoroughly through her films – particularly within the annals of Five Year Diary, a project spanning nearly two decades. Though relentlessly intense and emotional, her films are not entirely bleak, for her bracing self-awareness and humor energize and bring a rare effulgence to the depths of her darkest moments. Anne boldly exposed her most intimate and obsessive inner dialogues – from illness, breakdowns and longing for love to diets, cats and the minutia of existence. She also considered the filmmaking experience therapeutic and cited the process as helping cure her depression.

It’s summer, on the beach of this little town in Brittany, a man is building a sand castle. A few people watch him. We will be told the story of three of them: a boy, Jumbo, aged 9; François and his sister Zaza. All of them had to deal with the death of somebody they cherished.

Ten young people (boys and girls) at the age at which all is possible. They meet, they love, they choose. The film comes and goes between all those people, revealing their anguish, their dreams, depicting the portrait of a generation of the '90s which has both the fury and the fear of life.

Documentary about Sato Teiichi's daily life spent doing everything by hand at his seed shop in Rikuzentakada City, which was devastated by the Tohoku earthquake and tsunami. Filmmaker Komori Haruka handles directing, camera and editing in her feature film directorial debut. Sato's home-cum-shop were swept away by the Tohoku earthquake and tsunami. He runs the Sato Seed Shop where he makes everything on his own, including the construction of the prefab building, digging of the well, and creation of the signage, and he also writes a diary using self-taught English about his experiences during the disaster.

Miners in a Bosnian coal mine. The camera silently watches over the miners working tirelessly amidst endless noise and the flickering light of lanterns.

Moments in the life of a young Japanese filmmaker in Bosnia, charged with acoustic and visual poetry. Buoyant and essayistic entries in a process of self- and world-reassurance.

Cenotes—sources of water that in ancient Mayan civilization were said to connect the real world and the afterlife. The past and present of the people living in and around them intersect, and distant memories echo throughout immersive scenes of light and darkness.

The experiment presents a cinematic poem to filmmaking and film itself. Directed by eleven filmmakers, all under the vision of Bela Tarr's 'film.factory', delving into what keeps us making films.

A canoe trip down the river Kolpa becomes a journey of discovery for three female students.

Married to a wealthy meat dealer, Mojca (45) is worshiper of fine art and mother of two grown-up kids. Desperate for love and passion, she becomes an object of video installation which her ex-lover and now renown conceptual artist Milos is completing with a help of her daughter Nika. Mojca’s hunt for love becomes a wild journey for everyone involved in this film, including the crew shooting the film Installation of Love…

The life and rather obscure hardships of a Slovenian feminist author and human rights activist Angela Vode.

Risking his life, filmmaker and human rights activist Kriznar travels across Darfur for a peace mission, but business interests appear paramount.

This somber story of love lost forever is set against the backdrop of the changes that Communism brought to the state of Georgia in the former USSR after the 1917 Revolution. Eva and Archil are deeply in love and they pledge to be with each other always. After they marry, Archil dies suddenly and Eva is left alone and childless. Along comes the ruthless Spiridon who romances Eva and marries her - though his cold and cruel spirit break Eva's naturally buoyant self, until she sullenly eats alone, and avoids intimacy with her husband as much as possible. They adopt a daughter, who does not take sides between her glum mother and silent father. When the Communist cadres enter their village to promote the ideals of the October revolution, Eva starts to warm to her husband a little because he joins in that movement. Then her husband commits the fatal error of revealing a previous crime - an error that will later cause their grown daughter to question her parents' strange behavior.

A journalist realizes that while exploring and writing about the private lives of others, she has become distanced from her own family.

In Georgia during WWII Zurikela, an orphan boy, meets Khatia, a blind girl, and vows to help her to see again.

A theater director with a normal middle-class life in Tbilisi becomes increasingly disturbed after witnessing a murder, obsessing about whether he could have done anything to prevent it.

A cult of diners, restaurants and an excessive eating prevails in the City of Joy. Different contests are held in cooking the Georgian cuisine. Makro, a famous singer, decides to lend some spirituality to the city of gluttons. For that purpose she decides to set up a gallery of beautiful paintings in one of the city’s restaurants. The owners of the restaurant oppose that decision, but due to Makro’s agility the tenants of the city carry the paintings to the new museum.

Zura, a son of a rich businessman, steals a car of his father’s friend to amuse his classmates. When informed about it, the school principal discards him from the bike tournament. Nevertheless, Zura’s father manages to persuade her to allow his son to participate and even succeeds in bribing his championship. Zura’s classmates know that he became a champion undeservedly but can’t do anything about it. Only Khatuna, his alleged girlfriend, and Lexo, Zura’s friend, dare to protest against it. Their lack of loyalty enrages Zura and in the rush of the blood he crashes his father’s car. The accident takes Laxo’s life. Zura’s father does his best to save his son from deserved punishment but the first one against his decision is Zura himself.