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Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

1968 film directed by Márta Mészáros

Three stories about the relationship between men and women: "Playgirl" (Masumura/Shirasaka), "Company No. 2" (Yoshimura/Kasahara), and "San Nyotai" (Kinugasa/Shindô).

On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.

The final film in the Beehive trilogy. Set in post-war Nara, it follows a group of orphans living in a temple who support themselves by acting as guides for tourists visiting the Great Buddha.

Gates to Paradise is a 1968 film by Polish director Andrzej Wajda. The film is set in medieval France and is based on a story by Polish writer Jerzy Andrzejewski (1960) that seeks to expose the motives behind youthful religious zeal. It was entered into the 18th Berlin International Film Festival. In 1212, a Children's Crusade is launched after Jakob (John Fordyce) claims to have had a vision in which it is said that the innocence of children would be able to liberate Jerusalem. A monk (Lionel Stander), returning from Jerusalem, joins the crusade and hears the children's confessions, gradually realizing that most of them are taking part not for religious, but for more worldly reasons, like rejected love.

A seemly ordinary high school girl tormented by masochistic visions gets involved with a teacher who harbours a secret passion for her.

A Yakuza group from Osaka with dreams of national dominance moves into the snowy Hokuriku region, sparking a bloody turf war with local gangs.

This is a portrait of a man and of a country, as he travels through it. He is a travelling salesman, and travels through Switzerland selling cosmetics to beauty parlours.

The film follows a frustrated young man who yearns to be in the company of women. If at first he seems unable to make any kind of meaningful connection with them, he awakens dark feelings that will drive him to commit violent crimes after his first sexual experiences.

Kuramoto, who works for a large trading company, is a skilled employee who is well-liked by the company president. He is engaged to an employee named Nishino Etsuko, but he used her for his own career advancement and kills her so that he can marry the company president's daughter. When Kuramoto returns from his honeymoon with his new wife, Etsuko's brother shows up in search of the whereabouts of his missing sister.

Based on Kaoru Morimoto oft performed 1945 play, a starring vehicle for famed actress Machiko Kyo as Kei an abused orphaned girl that eventually finds sanctuary with a wealthy family that trades goods with China and becomes a successful businesswoman. Masumura dilutes the originally intended pro-Japan propaganda elements for a more anti-war approach.

1934 French drama film directed by Marcel Pagnol

Akiyama is an intern, disgusted with the noise pollution caused by the bullet trains and the heart attacks that noise has been causing in older hospital patients, plots to disrupt and, in ten days, destroy a unit of the operation. He warns the Japan National Railway, that, if nothing is done to reduce the noise, he will derail a bullet train. Takigawa is the police detective sent to stop him.

Nobuko is a widow who lives with her stepchild Tamiko and her brother Junjiro. The family's gatekeeper, Komatsu, is attracted to Tamiko, but she is encouraged to marry a doctor and he is afraid to tell her his feelings.

1923 film by Germaine Dulac

Love-hate drama of three beautiful sisters in Ooku in Edo Castle.

The story of two sisters in post-war Japan. One is a geisha and the other works for the tourist board.

A group of prisoners attempts to break the Abashiri prison. This film can be considered a sequel to the Abashiri Bangaichi series, written and directed by Ishii Teruo. The friendship between two men on death row, a fleeting love affair with a traveling dancer and a deadly battle with the real culprit who has hunted him down filmed over a long period of time on location in Hokkaido.

Set in the postwar turmoil, Akasaka no shimai paints a vivit portrait of the life of three sisters who struggle to live in Tokyo.