Psychosexual dramas 2

Walter is told by his boss, Sara, to deliver an urgent letter to Henri de Corinthe. On the way he finds a beautiful woman he had been eying in a nightclub, lying in the road, bound up. He takes her to a villa to get a doctor, and ends up being locked in a bedroom with her. While she is making love to him, he has visions of surrealistic images from René Magritte's paintings. In the morning, the girl, Marie-Ange, has vanished, the villa looks derelict, and his neck is bleeding. Was it all just a nightmare?

After years toiling in bit-parts, an actress finally gets her break with a leading role in a spy thriller. The part is challenging, not least because it calls for explicit sex scenes, and the director is often hard on her. But both the industry and the press think the results are sensationally good.

Plot of Fear tells the story of a decadent weekend party full of orgies and drugs on the outskirts of Milan. After two deaths occur Inspector Lomenzo interrogates one of the guests, a fashion model who becomes his informant, as well as his lover. Clery reveals that after a “wildlife orgy”one of the hosts tried to jokingly feed one of the prostitutes to a tiger but she got so frightened that she died of heart attack. In his attempt to find a connection between the victims, he investigates a cutting-edge security and surveillance firm whose director has secrets of his own to hide.

Karl Kinsky, an unbalanced tattoo artist, becomes obsessed with Maddy, a model he meets when he is hired to body-paint several women for a photo shoot, making the women look like they have large tattoos. As Kinsky grows more obsessed with Maddy, he becomes increasingly determined that Maddy should bear his "mark" -- forever.

1998 film by Abel Ferrara

A financial struggle between owners of a go-go club threatens its future.

Ken Russell movie about jealousy, and the complex and painful relationship between Rossetti and his sickly wife, Elizabeth. They are members of the upper-crust layer of society, bourgeois painters, poets and philosophers. Rossetti struggles with his own emotions for his wife, as she refuses his sexual advances before they marry, and, once they do marry, she is unable to bear him any children. She believes he has impregnated another woman (a model), commits suicide, and, as he chooses to bury his best poems with her coffin, he is driven insane when confronted with the idea of exhuming her coffin and retrieving the book to sell to his fans. Written by Jonathan Dakss.

1987 film directed by Dario Argento

After a prologue explains that the atom bomb is about to drop, we’re shown a family of three (mother, father and adult daughter) sitting around a kitchen table, deciding that they will stay and “die with dignity.” The mother and daughter give birth to various food items and the father tires to climb back into the womb, and then daughter relates a dream. We see a mushroom cloud, then another trio of actors in a different apartment who believe they are in the afterlife: they recite more humorous nonsense about God, death and the apocalypse and enact more bizarre skits before the action shifts to another trio in a different room, then another…

The 47-year old Al Capone, after 10 years in prison, starts suffering from dementia and comes to be haunted by his violent past.

A fear-obsessed freelance cameraman investigates an urban legend involving mysterious spirits that haunt the subways of Tokyo.

In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.

1976 film directed by Jesús Franco

Reviewed By: David Stanners Margherita is an Italian diva caught in a ménage a trios plus one. That'll be a ménage a quatre then? Something like that. It sounds so promising, but Ferreri's little Italian romp is neither funny nor meaningful. As one may expect, though, being Italian it does manage to knock out a fair bit of style, with a rather sultry, suave female lead (Caroll Baker) playing devious seductress, Margherita. Spoilt for choice, she is unable to decide on which of her three lovers she really wants. On a whim she takes off to visit her friend Mario (William Berger) in Croatia, who persuades her to invite all three over together so she can pick her favourite. First up there's Gianni (Gastone Moschin), a sugar daddy with deep pockets and good connections. Recently dumped when he tries to tie the knot with Margherita, he is in direct competition with Mike (Michel Le Royer), a somewhat younger, ruggedly handsome, blonde-bearded wild card of a man with an eye patch and a leopard for a pet. Last and probably least is lover No.3, Gaetano (Renato Salvatori), bespectacled and squarest of all but best dressed, suited and booted in Italy's finest. Slowly Margherita plays one off against the other with some tried and tested female mind games, causing below the belt punches and high elbows in the boys camp. First turning on Mario for colluding with her in setting them up, as each believed they had been invited alone. As the testosterone drives the fight, they turn on each other, competing hammer and tongs for her warped affection. But poco a poco, having being pushed beyond their limits, she tires them out. Scratching their heads at their naive stupidity, they make a U-turn and devise a cunning plan of retribution for the queen of cock tease. Shot in 1967, around the time the French had made the ménage a trois theme as common as breakfast the morning after, Marco Ferreri makes light of the business of female sexual promiscuity. Bordering on the farcical, The Harem doesn't have enough to sustain it as a decent sexual romp. With next to no plot, it's up to the characters to lead from the front, and although Caroll Baker is perfectly cast, since Ferreri has gone for romp instead of the heavy set script of say Jules et Jim -to make a distant analogy - his characters resemble cartoon strips without the hilarity. Imagine the Carry On films without the smutty humour. Eh, I don't think so. Style is nothing without substance, and The Harem is just that. While the ending is just and fair, the transporting vehicle is a Ferrari with a Fiat engine.

根据80 年代真实社会实案改编 。Dorothy Stratten (February 28, 1960 – August 14, 1980)

1976 pornographic film directed by Radley Metzger

San Francisco detective Johnny Wadd searches for a stolen Oriental cat figure made from a priceless jade and comes up against both crime syndicate thugs also after the stature, and a lot of sex obsessed women wanting some action.

2003 film directed by James Cox

2022 film directed by Andrew Dominik

Therese, a beautiful but naive young girl, who finds herself being passed around from depraved pervert to depraved pervert, enduring just about every kind of sexual degradation there is while still believing that some kind stranger will eventually help her. Written by frankfob2@yahoo.com