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A group of people, including Capulina and Viruta, head towards the city by train. A heavy storm interrupts their journey and now they must take a haunted path to reach they city. (English Subtitled)

The silver masked Santo tries to stop a gang of counterfeiters who conspire to ruin the economy.

In this Mexican sci-fi fantasy, big beefy Martians invade the earth. Ostensibly, they have come to warn people about the dangers of nuclear testing and exploring space, but their real mission becomes manifest when they begin using their special powers and gadgets to exploit weak earthlings.

A band of outlaws appear out of nowhere on a ranchers property and viciously shoot him down. They steal what they can from his ranch and kidnap his wife. They make for the Mexican border, but something starts stalking them. From: Exploitation.TV

Highly symbolic and allegorical, this drama takes the search of a son for his father in the chaotic times of the Mexican Revolution and the early 1900s as its basis. Stereotypical (or archetypal) figures from early moxia.cc Mexican cinema appear from time to time, and the violence of the revolutionary period is not glossed over. As the son searches for the father, scenes of the father and his earthy way of living are screened.

A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father. Arturo Ripstein (born on December 13, 1943 in Mexico City) is a Mexican film director. Ripstein got his break into movies working as an uncredited assistant director for Luis Bunuel. In 1965, he directed his first feature, "Tiempo De Morir". Written by Carlos Fuentes and Gabriel García Márquez, it began a tradition of making independent films written by high-profile Latin-American authors. In 1997, Ripstein won the Mexican National Prize for the Arts, the second filmmaker after Bunuel to do so.

An anthropologist goes to the mountains to study the problems of the indigenous people and finds out that they are being dispossessed of their lands.

A poor, but very lucky man in the cock fighting business, is hired by a rich man, but both are in love with the same woman.

A defrocked Episcopal clergyman leads a bus-load of middle-aged Baptist women on a tour of the Mexican coast and comes to terms with the failure haunting his life.

1963 film

1963 film directed by Roberto Rodríguez

In 1661 Mexico, the Baron Vitelius of Astara is sentenced to be burned alive by the Holy Inquisition of Mexico for witchcraft, necromancy, and other crimes. As he dies, the Baron swears vengeance against the descendants of the Inquisitors. 300 years later, a comet that was passing overhead on the night of the Baron's execution returns to earth, bringing with it the Baron in the form of a horrible, brain-eating monster that terrorizes the Inquisitor's descendants

A husband murders his wife, and years later her ghost emerges from a witch's mirror to take her revenge.

About a woman who was a child refugee from the Spanish Civil War, and is now living as an adult in Mexico City. She tries to remember the traumatic events of her childhood.

1961 film by Miguel M. Delgado

1961 Spanish-Mexican film by Luis Buñuel

A jazz musician seeks refuge from a lynch mob on a remote island, where he meets a hostile game warden and the young object of his attentions.

Casimiro, night watchman at a wax museum of horrors, is even more sleepy than his usual laziness makes him - because his boss, the Professor, is secretly draining blood from him while he dozes to use in experiments in raising the dead. These haven't worked so far, and the bodies have been waxened and placed on display in the museum to cover his crimes. His big chance seems to come, however, when he learns that the mummified body of a modern man has been found in an Egyptian sarcophagus. The professor and his two henchmen steal the body and take it back to his lab - where the experiment flops again.

1959 film by Ismael Rodríguez

1959 film by Juan Antonio Bardem