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Based on one of the most important and popular works of Portuguese literature, Doomed Love was recently revealed to North American audiences as one of de Oliveira’s greatest works. Closely following Camilo Castelo Branco’s eponymous novel from 1862, de Oliveira creates a radical and unprecedented fusion of theatre, literature and cinema, which, according to Jonathan Rosenbaum, is rivaled only by von Stroheim’s Greed. In this doleful tale of forbidden passion, the doomed love of the title belongs to Teresa Albuquerque and Simão Botelho, whose feuding aristocratic families pave the way for a deadly ménage- à-trois when another woman steps in to take Teresa’s place. De Oliveira credits Straub-Huillet’s Chronicle of Anna Magdalena Bach as one of the major influences on the film, which is told through a bold series of tableaux vivants. Like the other works in his “Tetralogy,” Doomed Love makes great use of omniscient narration and a host of distancing effects (static camera, lack of close-ups), “paring things down to the unspectacular, so that when something dramatic does flare up . . . the result is tremendous” (Elliott Stein). The film was originally shot on 16mm and made for Portuguese TV where it unsurprisingly floundered and was subjected to scorn. But its mythic status grew and when a 35mm blow-up was theatrically released some time later, this film maudit was hailed as a European masterpiece, ensuring that de Oliveira was “recognized as one of the great modern filmmakers” (Randal Johnson). No cinephile can afford to miss this date with Doomed Love. (Cinematheque Ontario)

Filming Othello is a 1978 documentary film directed by and starring Orson Welles about the making of his award-winning 1952 production Othello. The film, which was produced for West German television, was the last completed feature film directed by Welles.

Two segments. The first one arranges six stories from Cesare Pavese's "Dialoghi con Leucò", taken from classical mythology. The second segment is taken from Pavese's novel "La luna e i falò": after WWII the emigrant 'The Bastard' comes back to his village in the Langhe (northern Italy) to find that everyone he knew has died and the war has deeply changed relationships between people.

The editing strategies parallel the personal relationships depicted, and a mismatched cut is literally only the other side of a mismatched couple. Rarely have sound, image and the spatio-temporal coordinates of narrative illusion been buffeted about so vigorously.

Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.

Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding titles with letters or numbers. This becomes clear right away as the title letters are intercut with a flurry of fish swimming past the frame lines, which are made all the more literal through the associative chain established by a snippet of Schubert’s Trout Quintet heard on the soundtrack, along with footsteps – which continue over a profusion of other shapes, colors, and objects, including the title letters again. -- Jonathan Rosenbaum

An experimental drama that spins the tale of a woman, her sister, and the man who completes the triangle. Told through such fertile sources as grand opera, classical painting, and Victorian melodrama.

Believe it or not, even Smalltown USA still has people who are unfulfilled and unrelieved in the midst of plenty. Levonna and Lamar could have the perfect relationship, were it not for Lamar's obsession with rear entry.

In the days after the attack on Pearl Harbor, panic grips California, where a military officer leads a mob chasing a Japanese sub.

The film chronicles Perceval's knighthood, maturation and eventual peerage amongst the Knights of the Round Table, and also contains brief episodes from the story of Gawain and the crucifixion of Christ.

Richard Pryor delivers monologues on race, sex, family and his favorite target—himself, live at the Terrace Theatre in Long Beach, California.

A sartorially resplendent woman of few words arrives in Berlin with plans to live out the rest of her days as a drunkard.

1980 film directed by John Cassavetes

Dick and Mandy, a young working class couple, move into a council house in Canterbury, and find Mr. Butcher, one of their former teachers, living next door. Mandy's unmarried sister, Gloria, is constantly dropping in, and will not take any hints that the couple would prefer to be left alone, until her presence finally goads them to action.

Klein goes on the hunt for Little Richard, the legendary ‘Architect of Rock and Roll’, who quit show business in 1957 at the height of his fame to become an evangelist. Richard was then lured back to secular music in the 1960s and 70s, but the excesses of stardom led him to a second retreat from the stage. For years he struggled to reconcile his religious calling with his flamboyant rock-and-roll persona, and at the time of filming, Klein finds Little Richard selling ‘Black Heritage Bibles’ for a Nashville couple. Sensing that his image is being exploited, Richard quits his sales position and deserts the film. But Klein turns this into an opportunity to reconstruct Richard’s personality through the words of his family and friends in his native Macon, Georgia, and to celebrate his status as a cultural icon by filming scores of Little Richard impersonators and adoring fans in Hollywood.

The story of hard-luck Melvin Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes. Inspired by real events.

In this thriller, a UNESCO translator stumbles across a group which is hiding and supporting Nazis and facilitating their travel around the world. She had been given an assignment to study the work of a writer who recently had died, and the conspiracy is revealed in materials he left behind. She comes upon a young man who is going through the writer's papers, and she immediately assumes he must be one of the conspirators. However, he soon convinces her of his innocence in that regard, and the two together begin a search for the ringleader.

Vidor and Wyeth discuss the influence of The Big Parade on Wyeth and the use of metaphors in art

In Jerry Lewis's first film in a decade, he plays Bo Hooper, an unemployed circus clown who can't seem to hold down a job. The film opens with a brief montage of clips from past Lewis movies. He then moves into a succession of jobs that he gets himself fired from including a gas station attendant and a mailman - all with disastrous results.