季风来临前的最后一个芒果 (2015)

The Last Mango Before the Monsoon has no central character, narrative arc or clear progression. Its scenes are non-linear and flow freely into one another. Rather than being a weakness, this is precisely the film’s strength. The film is perhaps the first clear example in Kapadia’s filmography of how sound can lead the process of image-making, with densely layered aural textures and tones melding together to enhance the vibrancy of environments they are placed overtop of.