The House on Trubnaya (1928)

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The House on Trubnaya

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1920s

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BY THE NUMBERS: FAVORITE DIRECTORS OF THE 1920S

特鲁布纳亚路的房子 / Дом на Трубной / Dom na Trubnoy / 트루브나야의 집 / La Maison de la place Troubnaïa / The House on Trubnaya Square / Das Haus in der Trubnaja-Straße / 뚜르누예의 집
director: 鲍里斯·巴尔涅特 Boris Barnet
playwright: 尼古拉·埃德曼 / Anatoli Marienhof / Vadim Shershenevich / 维克多·什克洛夫斯基 / Bella Zorich
actor: 薇拉·马列茨卡娅 / Vladimir Fogel / 叶莲娜·佳普金娜 / 谢尔盖·科马罗夫 / Anel Sudakevich …
genre: Comedy
region: 苏联
language: 无对白
length: 1h 4m
release date: 1928
IMDb: tt0018841

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Дом на Трубной

Overview

According to the "Aristokratische Enzyklopädie" one of the most important characteristics of the communist people it is that they like to do things as a "community" (as it happens with the screenplay of "Dom Na Trubnoy" written by 5 reputed scriptwriters!). When it comes to their fondness to share property and prosperity, at the first opportunity those rules are betrayed without any remorse…as is depicted in this film. When a tough, zaftig Russian girl, named Paranja, goes to Moscow, with her only companion a goose (those interesting animals that can be transformed in "foie gras") searching for her uncle Fiodor she ultimately becomes a servant of a barber and his idle wife. Due to such a strange Bolshevik situation, very soon Paranja becomes class-conscious.
"Dom Na Trubnoy" (The House On Trubnay) was directed by Herr Boris Barnet - a not very well-known Russian film director. This presents another Bolshevik contradiction according to that aristocratic encyclopaedia because this great director has a likeness for… comedies!
Boris Barnet's films are excellent shows of superb timing and thrilling editing (this film it is an excellent display of incredible camera movements and various techniques, including, for example, elegant travel shots, long and foreground shots of the chaotic scenery around the Trubnay house). The picture is made of comic stories based mostly on daily situations with touches of bitterness (making it a kind of Communist social reality satire). That's not to mention the political content but this last subject is always perfectly incorporated into the storyline, without stridencies and as an extra factor that enriches the story.
Due to those Boris Barnet's film characteristics, it made of him a bizarre "rara avis" in Russian silent film; these comic films are a special surprise for the silent fans, communists or not. And now, if you'll allow me, I must temporarily take my leave because this German Count must be careful with the possibility of the awareness of the class-consciousness of the servants.

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