Helena goes to the French coastline to meet up with old flame Roy. At Roy's swanky house Helena is told by a man at the door named Frank that Roy is preoccupied with another woman. Helena immediately hits it off with Frank only for things to turn sour after a gang of vicious thugs break into the house.

Description of a "hot street" and police methods: "raids", role of police assistants to stop the development of prostitution and "Nests", private works to rehabilitate prostitutes to normal life by teaching them a job.

杰拉德·卡萨诺瓦是，所有的富饶美丽的女人打电话的时候，他们需要多一点那么丈夫给他们的人 剧情来源：播出电影网

The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986. An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film. The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn. Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings. Was the above comment useful to you?