《不了情》是一部很“古典”的连续剧，不只是剧名，片中的人际关系更是如此。它包含了一个含辛茹苦养大二子一女的单亲妈妈（林翠饰演），故事从她开始就是剪不断理还乱的感情纠缠，没想到了下一代，两个儿子中的老大（何家劲饰演）和心爱的恶女人（金素梅饰演）有了爱情结晶却没办法结合，出国留学的老二（童安格饰演）回国后基于现实又移情别恋……。这些并不新鲜的人物因为编剧写出了他们和现实之间的矛盾，感情随时间愈形复杂，而产生足以发展为三十集的剧情，并且捧红了男女主角何家劲、金素梅，老牌影星林翠也重新回到幕前发展。

描写一个持枪逃亡的年轻犯人躲到一间公寓住家里，在逼现出整个社会问题的同时，也刺激了一个原本疏离的家庭重建关系。 大学毕业没多久而且刚在剧场崭露头角的蔡明亮，以一个公寓房子作为情节进展的主要场景，时间则压缩在一天之内，几乎是严守“三一律”的原则完成所有情节，明显可以看到学员训练与剧场经验的影响。

蔡明亮透露电影新作将找陆弈静、李康生、陈湘琪、杨贵媚四位合作30年的演员再度合作，“有点像2011年做的舞台剧《只有你》那样，各个角色各自发展出独角戏，已经开始进行，现在正在跟他们聊，找出新的方法拍成电影。

蔡明亮《行者》续集，已于2022年6月巴黎杀青。

第52届维也纳影展形象片，蔡明亮使用8毫米胶片拍摄完成。

麗香為中興紡織作業員，經命仙指點會有不錯姻緣，經人介紹果真認識隔壁工廠一位上有重病老母，下有一雙兒女喪妻的陶姓課長，二人戀情穩定發展，終促成一段美滿姻緣。

敘述一對營造夫妻，念於長期居住工寮，且三名幼子長受轉學奔波之苦，遂東拼西湊足錢，買到一棟差強人意的房子，但因房子是違建，又得日夜擔心他日遭強制拆除的命運。

Explores the background behind an adolescent (Lee Kang-sheng) extorting money from other adolescents.

随国军从大陆到台湾的张广兴因节俭得过于寒酸，被人称为“阳春老爸 ”。他退伍后，在某建筑公司任监工已有七年，工作勤恳，却未被提升。 其妻张氏是台湾本地人，经营一个杂货铺。独生子张可中在大学读书。全家同左邻右舍过着和谐的日子。 台湾由农业社会向工商业社会转化，汽车成了主要交通工具，没有汽车就矮人一截，被人看不起。老爸骑着破旧寒酸的摩托车上班，出了不少笑话，受了不少气。为了买汽车，老爸更加节省，最后买来了破旧的二手车。儿子说它太不像样，坚决不要，老爸只好放弃。张氏为了成全父子俩，暗地里标了会，几经波折去买新车。这时大陆的老奶奶去世了，噩耗传来，老爸因未能侍奉母亲，连最后一面都未见到，嚎啕大哭悲痛欲绝。经此事故 ，儿子了解到父亲省吃俭用，是为了存钱回老家。从此，全家更能相互体谅。 汽车终于买来了，全家高兴地乘车出游。在拥挤的街道上闹出不少笑话。老爸有了新汽车，方便了邻居们 ，买菜可搭车，上街有车送。最后儿子开新车去上学，老爸依旧骑着靠人推才能发动的旧摩托车去上班。

All the Corners of the World sees the family unit as a disaster waiting to happen. Mr and Mrs Chang live in Taipei's Hsi-Men-Ding (the city's entertainment/red light/nightlife district) with their teenaged kids. The parents work as cleaners in a "love hotel" and send the kids out to work as ticket scalpers, block-buying seats for hit movies like A City of Sadness and reselling them at a profit. Tragedy strikes when the daughter Mei-Hsueh flirts with the idea of prostituting herself and changes her mind at the last moment, leaving her first client with injuries that put him on the critical list. The focus throughout is on the son Ah Tong, who has a latent talent as a writer that is never going to flower.

2006 film by Tsai Ming-liang

The whole story revolves around a woman from marriage, marriage to divorce encounter sexual problems as the main axis, reflecting the Taiwan society in this regard subjective and objective taboos. The first paragraph of the description of the actress Xiao Xiaomin arranged with the parents of the scholar if strong engagement after the agreement with the high school students often travel, and finally cancel the engagement. The second paragraph to write her marriage in order to fight for a wounded into her young Wu Dawei testify to her husband's misunderstanding, but also the end of the divorce. The third paragraph to write her commitment to kindergarten education work to recognize the disabled young boy odd, she did not dare to face the problem of love, but the other's cheerful outlook touched her.

Kidnapped by a group of bandits and raped by their chief, Dan Zhu slowly develops feelings for the perpetrator. Echoing the social realism of Taiwanese new wave filmmaking, director Wang Tung revisits the wuxia genre, with the emphasis on psychology rather than action.

Composed of a series of portrait shots of mostly anonymous individuals, filmmaker Tsai Ming-liang's digital experiment turns the human face into a subject of dramatic intrigue.

2009 film directed by Tsai Ming-liang

2020 film by Tsai Ming-liang

【家在蘭若寺】華語首部VR電影！蔡明亮導演，李康生主演。

2002 film by Tsai Ming-liang

Six filmmakers present six short films about the experiences of Chinese immigrants. Shot across Malaysia, Thailand, Singapore and Myanmar, the anthology depicts the crisis of identity that accompanies international migration.