A priest visits a small seaside town. Miling a former nun who now teaches catechism on the island thinks that father Emman is the priest she sent for. She believes that a priest would help revive the townspeople's faith in God by putting up bars and girly joints.

2008 film by Adolfo Alix, Jr.

A seemingly perfect home gets shattered by broken trust and infidelity, bringing forth catastrophic effects into the lives of the couple, their son, and everyone else involved. This is a story about a woman scorned.

塞维利亚家的兄弟姐妹们在家族女家长去世一年后，重聚于祖宅。原本只是例行公事的聚会，却迅速演变成一场充满真相、怨恨和欢笑的风暴，也暴露了维系他们之间脆弱的纽带。

A young Filipina searches for the missing links between her strange bleeding condition and her faraway mother's healing powers.

An engkanto, or encanto, is an often-malign spirit dwelling in the Filipino countryside, although in Death in the Land of Encantos, some of them have migrated to eastern Europe as exiles. Their human counterpart is the film’s protagonist, Benjamin (“Hamin”) Agusan, a poet who returns from years in Russia to search for the body of his girlfriend in the wake of a catastrophic typhoon and landslides. These 2006 disasters devastated the Bicol region where Diaz’s films have been set since Evolution of a Filipino Family, killing thousands. This film, which inaugurated Diaz’s “trauma trilogy,” includes documentary footage in an attempt to record the suffering of the local inhabitants.
A Filipino poet named Benjamin Agusan (Roeder Camanag) is the hapless native who returns to his hometown Padang to witness the aftermat h of the super typhoon. For the past seven years, Benjamin had been living in an old town called Kaluga in Russia. With his grant and residency, he taught and conducted workshops in a university. The poet published two books of sadness and longing in the process. In Russia, Benjamin was able to shoot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back to bury his dead-father, mother, sister and a lover. He came back to face Mount Mayon, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the Philippines. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers.

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself?
The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery.
The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues.
By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.

Three people start a strange therapy to escape their agonies through process of execution. Each attempts to process those they lost during the Marcos dictatorship while examining their own grief.