A journey where lies become reality and where the reality takes the shape of a film: that of a documentary road movie based on imaginary facts

Cruz is an actress who works as a simulated patient for medical students. One night, while jogging at the gym in her building, she sees a body fall, but instead of helping, she keeps on jogging. Her actions are caught by security cameras and leads to a police inquiry. Unable to explain what happened, she realizes that her work has desensitized her, compelling her to set out on a journey to recover her repressed emotions.

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

Eight years after being raped on a beach near Santiago, a young filmmaker composes a kaleidoscope with dozens of diary-videos showing the wounds of the abuse, the re-victimising legal proceedings and the friendship that accompanies her. One question arises in that journey: What really is rape and when does it end?