The grotesque comedy with crime elements takes place in a grocery store.

A World War II-style "war game" setting the wealthy customers against skilled mercenaries goes awry when the simulated war gets too real.

The film tells the story of a regiment of Hungarian hussars stationed in Poland. The hussars, mostly ordinary men, have heard news of the uprising and wish to return to the homeland to defend the newly independent country. The Empire, on the other hand, is firmly resolved that all Hungarian troops in the imperial army should be kept as far away from the trouble spot as possible, knowing that most soldiers would be loyal to Budapest rather than Vienna.

In 1950, when a young communist director arrives to take charge of a stud farm near the Hungarian borders, his efforts to draw on the experience of the old hands there meet with little success. Janit Busó is not accepted by the farm workers, who were exiled here and branded as class enemies. Busó tries to gain authority, which is not easy among these proud, resentful people who are skilled in their profession. In his difficult situation, the dubious support he receives from the party does more harm than good.

More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences. Throughout the story, the lack of any real identity for the "man" or "woman," as well as other subtle references to the Hungarian state add a political dimension that gives greater meaning to the story.

A historical drama set in the 1400s, a young man sent to Italy but is forced back after his father's mysterious death.

The preparation, in Hungary, of the assassination in Marseilles of King Alexander of Yugoslavia in 1934.