Margó and Ildi are good friends. Margó lives with her simple, conservative parents, her fiancé is a roadie, her lover has been in prison for two years. Ildi was a pupil of a reformatory school, she buried an Araba husband already and her Rumanian partner is living in Paris. She lives together with a Yugoslavian man in a rented flat. Both are models at the Scholl for Fine Arts, attend an evening school and earn their money by selling their bodies. The lover of Margó, Attila is suddenly released. Margó and Ildi want to get rid of him, but Attila does not let them do that...

It is 1989, the year of the demise of socialism in eastern Europe. Nevertheless, the one theme of Junk Movie does not refer to this historical moment of high ideals, quite the contrary, the wild, burlesque of a motif-mozaic seems merely to stick it’s tongue out at the arrogant players of politics who have their heads stuck in the clouds. The film rudely points out the mystery and unapproachability surrounding the every-day existence of politics. The scene is a greasy, falling-down block of a pub called the Gólya and its immediate surroundings.

The sad tale of a proletarian malcontent ensconced in a monstrously depressing housing project who—even less effectually than the heroes of Bald-Dog Rock—attempts to change his life. Purchasing a power drill and slinging it across his shoulder like the anti-hero of a spaghetti western, he turns entrepreneur, boring holes in his neighbors’ walls so that they can hang mirrors or pictures.

The man is promoted and given a new assignment at his work-place. At home, he stares at a video-cassette: it portrays his wife's face in countless versions, she is sometimes simply beautiful, then unfathomable, but it is mostly a sad, closed, lonely face.

1988 film by István Szabó

2007 film directed by Gyula Maár

Emerenc, an elderly and private woman, is hired to be the housekeeper of a struggling writer, Magda. An event in the writer's life prompts Emerenc to disclose details of her traumatizing past, which will bond the two women forever. Based on the novel by Magda Szabó.

Janos and Kata are thrown together during the Second World War and forced to pose as husband and wife to hide from the Nazis. The intensity and suffocating intimacy of their new relationship and the circumstances in which they find themselves, forces them to confront past prejudices and assumptions and challenge what they truly believe.