La obra del dramaturgo José Zorillo y Moral, fue escrita y publicada por primera vez en 1844, y pronto se convirtió en una de las obras más populares del siglo XIX. La versión cinematográfica de 1952 del director español Alejando Perla es probablemente la más conocida de varias películas realizadas sobre la toma de Zorillo de las hazañas del inmortal Don Juan, en solo un período de 15 años (a partir de 1936). Su versión se destaca porque se centra en por qué Don Juan Tenorio debería arrepentirse, después de reflexionar sobre una vida hedonista de beber, seguido de su encanto, seducción y corrupción final de las mujeres inocentes y casadas que sedujo y luego abandonó cruelmente en toda Sevilla. Excepcionalmente, Perla también contrató al famoso surrealista, pintor, escultor y nativo catalán, Salvadore Dali como decorador de platós para esta película.

The life of Maribel, a disilluisoned prostitute working the Madrid of 1960, suddenly changes when a simple man that she meets by chance without knowing her profession, decides that she is the woman of her life and that he wants to marry her and to meet his odd family.

A police inspector makes his service in a patrol car attenging emergency calls. A memory hauns him, the death of her daughter, who was killed hit by a car that fled. The car is located and the inspector goes there and confrontation will be violent.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

A diverse group of friends gather to celebrate a witless woman's birthday in this comedy drama set in France during World War II. The guests include an uncle who is a Nazi collaborator, a blind war veteran, a simpering physician, an arrogant educator, a patriotic girl, and the husband of the guest of honor. When some German soldiers are killed outside the house, the group is told by the Gestapo that they must choose among themselves two who will be shot if the killer is not caught. If two victims are not chosen, all seven at the party will be captured. Things sound pretty grim, but the black comedy begins when all seven try to save themselves by any means possible.

1989 film by Josefina Molina

Película biográfica sobre el físico venezolano José Gregorio Hernández.