An unfaithful husband and his daughter go on nightly club outings, leaving the mother at home. The mother rebels against her lonesome life and attempts to prevent a man from pursuing her daughter.

A Manhattan playboy falls for a mysterious European woman, whom he notices is an exact double for a famous socialite who disappeared at the turn of the century. At first he thinks it's just a coincidence, as the beautiful young woman he's romancing is much younger than the woman who vanished, who would be in her late 50s or early 60s by now. Soon, however, he begins to believe that maybe it's not such a coincidence after all.

April Poole (Davies), a young writer in love with publisher Kerry Sarle (Tearle), visits the office of Mr. Sarle and his partner Ronald Kenna (Frank) and reads her latest story to them. She has made Sarle the hero, Kenna the villain, and herself the heroine. In the story, April changes places with Lady Diana Mannister (Marshall), who is being sent to South Africa to separate her from her lover, a young artist. A famous diamond that Lady Diana is to deliver at the end of her journey is given to April. Thieves trail her during her journey. With efforts by Kenna to steal the diamond prevented by the intervention of Sarle, the story comes to a close.

A woman is accused of murdering a man who molested her young daughter.

A flirtatious young woman takes a job in a busy office, where her presence is terribly disruptive. None of the men in the office can concentrate on their jobs while her charms are on display. Of course, she sets her eye on the one man who seems oblivious to her.

When the daughter of a newspaper publisher is falsely charged with murder, a reporter on her father's paper goes into hiding with her. At first hoping to get an exclusive story, the reporter eventually finds himself falling in love and trying to find the real killer.

A novelist and his younger brother fall in love with the same woman.

In this brutal prison drama a hen-pecked husband is sentenced to prison after getting caught with his hand in the company till. He is sent to a high-rise facility in LA. It seems the fellow was only following the instructions of his domineering, constantly nagging wife who, as soon as he is put away, takes up with a more successful businessman. This causes her new lover's ex-lover to get insanely jealous and kill the conniving wife.

A young lady named Hilda who works as a servant for the wealthy Clarksons, sheep farmers, and dreams of being a great singer. An upcoming visit by Sir Julian, a famous composer arriving from London, drives jealous Mrs. Clarkson (an interfering biddy who fancies she can sing - but can't) to send away Hilda, so he doesn't hear Hilda has a good voice. Meanwhile, an infamous outlaw named Stingaree has just arrived in town and kidnaps Sir Julian, then poses as him at the Clarksons, where he meets Hilda a few hours before she is to leave.

Someone is murdering the cast and crew of a new Hollywood movie, and the leading lady may be next. As a police detective locks down the lot and refuses to let anyone leave, the studio’s publicity head and his secretary attempt to solve the murders themselves.

A respected war correspondent is found murdered, with three bullets--from three different guns--in him. Three different men are arrested, convicted and sentenced to death for the murder, but only one can be the actual killer. A criminologist sets out to find who is really guilty.

When young Gloria Waring's wealthy father dies, she discovers that her brother--who is heir to the family fortune--is about to marry a well-known golddigger named Teddy Lamont. Gloria steals the will from her father's attorney, James Hamilton, so Teddy won't find out how much money her future husband will inherit. Hamilton finds out about her theft but is unexpectedly sympathetic to Gloria about it. It turns out that Hamilton has reasons for his behavior, and when Gloria discovers why, complications ensue.

The overthrow of Czar Nicholas II in Russia was such big news that the then-fledgling art of cinema couldn't help but jump on it immediately and create a couple of dramatizations.

A fantastically atmospheric but rarely seen missing link in the development of Tod Browning’s artistry, set amid his favored milieu of shadowy sideshows and clever criminals, The Mystic provides a striking showcase for silent-era diva Aileen Pringle, who sports a series of memorably outré looks (courtesy of art-deco designer Erté) as Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man (Conway Tearle), crashes—and proceeds to swindle—American high society. Browning’s fascination with the weird is on full display in the eerie séance sequences, while his subversive moral ambiguity extends surprising sympathy to even the most seemingly irredeemable of antiheroes.