Thriller about a former preacher, now a professional gambler, who heads down New Mexico way to visit an old buddy, only for him to be killed. It is not long before the Preacher is uncovering a hotbed of corruption and murder in the seemingly peaceful town, aptly named Farewell.

Children are being kidnapped and held for ransom. If the parents don't cooperate, the kids show up dead. An undercover cop gets involved in the case, and his investigation leads him to a connection between a banker and a fortune teller.

In 1930s Los Angeles, Mexican immigrant Pedro J. González becomes a pioneering Spanish-language radio star before being wrongly convicted and imprisoned at San Quentin.

A veteran cop (David Carradine) investigates the crimes of an anarchist street gang that causes chaos wherever they go. Meanwhile, his wife (Nancy Kwan), a police counselor, investigates a teenage runaway case which leads to the same gang. Showdowns ensue that pits sides together in a violent series of confrontations.

Lightning Jack Kane is an Australian outlaw in the wild west. During a bungled bank robbery he picks up mute Ben Doyle as a hostage. The two become good friends, with Jack teaching Ben how to rob banks, while they plan Jack's last heist.

The film does an outstanding job of laying out the many ways women are disadvantaged in the United States under the Constitution. Using facts, figures, interviews, colorful graphics, news footage and occasional humor, the audience is led through current challenges to wage parity, legal protections, maternity leave, ending violence and poverty. The argument is clear and compelling. It's provocative but avoids man-bashing as it makes the case for why men and women should be fighting to get the Equal Rights Amendment passed.

The sexual fantasies of women are explored by four female directors.