2018 film directed by Julian Pörksen

Wanting to start a new life, 40-year-old Heli has found an institution in which she can put her younger, mentally disabled sister. Her three egocentric brothers have agreed to the plan and come to share their sister's final weekend at the house where they all grew up on the outskirts of Berlin. They find that the "baby of the litter" has turned into an unpredictable "monster". The fallout brings them closer together than they'd expected.

2022 film directed by Thomas Stuber

Mother Lissy, father Gerd, son Tom and daughter Ellen: the members of the Lunies family are estranged. But confronted with death, they finally meet each other again.

On her way home from her uninspiring office job, Ania catches sight of an untamed wolf on the outskirts of the city. For a brief moment they lock eyes and the wolf’s gaze instantly changes Ania’s life. The young woman who seemed to have accepted the insignificance of her own existence is overwhelmed by a sensual longing for this wolf. She becomes obsessed with the wild and beautiful animal, and ruthlessly determined in her desire to domesticate it. Sexually charged and visually poetic, director Nicolette Krebitz articulately and sensitively explores this unique story of a young woman who gradually liberates herself from the conformism of society and the restrictions of femininity. Driven by Lilith Stangenberg's uncompromising performance, expect a unique and unpredictable love story and a cinematic accomplishment very much on the wild side.

在经历了一场疯狂的婚礼派对之后，喝的神志不清的艾博（塞巴斯蒂安·贝策尔 Sebastian Bezzel 饰）意外的被警察从酣睡中叫醒，一夜之间，他竟然从一名小镇警察沦为了凶杀案的嫌疑人，他被指控谋杀了名为巴什尔（弗兰西斯·富顿-史密斯 Francis Fulton-Smith 饰），因为在凶案现场，警方发现了艾博随身携带的小刀。 就这样，艾博不得不再一次的为洗清自己身上的嫌疑而展开了对案件的调查，和他一起奋斗的还有他的好友卢迪（西蒙·舒瓦茨 Simon Schwarz 饰）。随着调查的深入，巴什尔的妻子（诺拉·冯·瓦尔茨特滕 Nora von Waldstätten 饰）渐渐浮出了水面，这个美丽又性感的女人隐藏着不为人知的过去。

富斌恩·格罗斯是一家政治新闻杂志的著名记者，与一名实习生合作后，开始报道一个血淋淋的动物园故事。一名男子将自己喂进狮子口中，以被撕咬成碎片的方式自杀。但在这个故事背后还有更多玄机。当对手永远藏在暗处，格罗斯如何才能击败对手重获独立？

克鲁格与卡文的第二次合作是一次美学混搭。在首次合作的影片《快乐哀叹》中，这两位卓越的导演使用了他们档案中的材料，而《奥菲亚》则有了新的内容，尽管是古典的来源。奥尔菲斯和尤里迪斯的预兆和结局都发生了变化：在卡文和克鲁格那里，奥尔菲斯下到冥界，不仅要解放她的尤里迪科，还要解放整个灭绝的人类。在克鲁格的绿幕工作室和大都市马尼拉之间，把一切都在桌上摆放：里尔克和阿多诺，柴可夫斯基和摇滚，猛犸象和不朽。

August 1928: while workers and farmers search “Das Kapital” for answers to some mysterious vampire bite marks, a self-proclaimed baron enters the life of the charming heiress Miss Flambow-Jansen, as well as her luxury Baltic residence. As it turns out, he is actually a proletarian impostor, forced to escape from the Soviet Union because of a political incident involving no less than Sergei Eisenstein and Stalin himself. Julian Radlmaier takes his trademark “ironical materialism” even further, with a new mixture of ideology and cinephilia that gives rise to a dialectic fable-cum-formalist-comedy, assuming that the Marxist description of the capitalist as a vampire is far from metaphorical. And while the entire film features historical inaccuracies that highlight the subject’s current relevance, it is the finale, with its abrupt detour into manipulation of reality and xenophobia, which really emphasises how injustice and lies prevailed then as now – only now more than ever. The oppressed continue to aim their class violence in the wrong direction, once again offering their necks to the oppressors’ fangs.

德语恐怖悬疑剧《Hausen》10月29日于Sky Deutschland开播。 这部8集新剧讲述16岁的Juri在母亲去世后，和父亲Jaschek搬进了市郊一个破旧的住宅区。Jaschek努力想要为自己和儿子建立起新的生活，而Juri作为大楼的看管人，发现这栋房子有生命，它以住户的苦痛为食。

After a 13-year-old student disappears without a trace for a week and suddenly reappears, his mother and teachers are confronted with existential questions that change their whole view of life.