The Cavalry Captain and his brother, the Chaplain, discusses whether an adjutant is the father or not of the child one of the maids is expecting.

About a young couple who accidentally by car run over someone and kill him. The victim turns out to be an escapee from an asylum for the mentally ill.The two wander around the country side trying to figure out the situation, which quickly turns out not only to include the fatal accident but also the same to their own mutual situation. The catastrophe becomes the catalyst for their own emotional confrontation and settlement.

Oskar and Mona meet when they come to the Academy of Music to see if they have been accepted, he as a piano student, she a singing student. They become a couple and married but soon there are the frictions. Mona gets hundred crowns from her father, because he thinks she has become so charmless. For it, she buys a perfume called Three Wishes.

A tv play about the Swedish poet Gustaf Fröding. Flashbacks from his life in a mental hospital.

11-year-old Maria is forced to stay with her relatives in a small town. She becomes friends with a quirky, drunken painter.(IMDB)

A television adaptation of August Strindberg’s A Dream Play, the film follows Agnes, the daughter of the god Indra, as she descends to Earth to witness the conditions of human existence. Through a succession of loosely connected scenes, she encounters individuals from different walks of life, with events unfolding according to dream logic rather than linear narrative.

小女孩约瑟芬和她的父母住在远离村子的地方，她没有伙伴，十分孤独。一天她在花匠古德马森那里认识了一个陌生的男孩雨果。雨果身上野性十足，在约瑟芬眼里，他无所不知，他们很快成了好朋友。有一天，雨果突然不见了。别的孩子说，雨果的爸爸在监狱里，原来雨果的父亲是和平主义者，因为拒绝服兵役才被关进监狱。约瑟芬请古德马森让雨果回来，雨果回来了，而古德马森却要走了。他告诉他们，在遥远的地方有一家人，他们有十八个男孩，另有一个女孩叫约瑟芬。他们总是离别亲人，谁走的时候都要讲一个故事．但从不讲完，别人便对他说“再见”。他也给约瑟芬和雨果讲了故事，然后他们互道“再见” 。

戏中，萨德本人从未露面，只存在于六名登场人物的对话中。人物的性格也很分明，西缅男爵夫人代表“美德”、而圣芳伯爵夫人代表“恶行”，门托纽夫人则代表了世俗。尽管两位代表善恶的人物更富有戏剧性，然而全剧的中心仍是主人公露涅和门托纽夫人的对立。 以剧中人对萨德的态度为例：门托纽夫人认为声名狼藉、锒铛入狱的萨德根本就是家庭的耻辱，而萨德的妻子露涅则截然不同，她真诚地等待着被社会排斥的丈夫，并认为这才是表达真爱的惟一方式。但是，当革命风起云涌，社会价值观也随之改变。萨德出狱并被捧为新时代的旗手，门托纽夫人的态度来了个一百八十度大转弯，她成了萨德的捧哏，称萨德为法国的献身者。 而露涅的态度却截然相反。丈夫重新被社会承认，意味着她那孤独的爱就此丧失了根基。不仅如此，她读了萨德在狱中写的小说，里面描写了一位坚持美德的女子的悲剧，露涅在作品中看到了自己的影子。她的孤独之爱从根底瓦解了，同时也意识到之前的半生不过是徒劳，于是她投身修道院，再也不与萨德相会。剧中露涅曾说：“与其付诸行动，不如创制法则……” 这句话也可以理解为“与其委身现实，不如付诸思想”。对原剧作者三岛先生来说，“艺术”无疑是存在于现实之外的、对于异端思想之美的例证。