Living on his own under a modest roof, Sami makes a living as a mural painter. One day, he learns that his doting grandmother has passed away and left him a small chest full of calligraphy materials. At first, Sami rather dismisses the contents of the chest, so much so that he even considers getting rid of them. But then he meets Selma at the library where he has been commissioned to do a mural, and the introduction marks a turning point for him. Selma, an attractive and dignified woman with the impeccable manners of an old Istanbul family, once took up calligraphy herself. With her guidance and encouragement, Sami embarks on learning the practice of calligraphy. He is helped in his endeavours by Esref Efendi, a gifted but demanding old-generation calligrapher, whose distaste for the present state of calligraphy has deterred him from taking on students for some time. And the master is quick to steer Sami towards love.

Tufan who works at a small print shop lives in Eskişehir with his wife Mukaddes and daughter Simge. Huriye, their lonely neighbour next door falls ill one night. A doctor recommends that she shouldn’t stay on her own. Tufan takes pity on Huriye, who has no family to turn to, and decides to host her at his house.

Ishak, a wandering musician from a small mountain town. A lynching he was a part of 7 years ago comes back to haunt him as he returns to his town to say farewell to his dying mother. Facing the other five perpetrators--his childhood friends—as well as the community and government officials supporting them, Ishak struggles with the guilt weighing upon him. However, the bigger the crime is, the stronger the silence gets since everyone has blood on their hands.