1968 film by François Reichenbach

Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.

President Juárez fights against the conservatives, who have ordered an emperor to be brought from France to govern Mexico

A man becomes more and more infatuated with his childhood sweetheart leading to a haunting encounter with horror.