Bob, a sympathetic young man, keeps telling women what they want to hear to have a good time. Just as he is about to marry the daughter of a very wealthy banker, her father does a little research on his future son-in-law and finds out the truth about Bob. He forces Bob to marry his daughter and behave like the perfect husband, or else... Unfortunately, Bob meets "The One" just a few days before the wedding and had also told her what she wanted to hear, all of this unbeknownst to his future wife. Then right as he's trying to extricate himself from those dilemmas, two very protective Turkish brothers of one of his past affairs are after him to take revenge for taking her virginity!

Ein Gemälde von Eugène Delacroix steht im Mittelpunkt dieser Episode. Besitzer ist Graf Thoelen, ein Yuppie, der sich skrupellos über den letzten Willen seines Vaters hinwegsetzt: Er will ein Haus räumen lassen, das Obdachlosen als Wohn- und Arbeitsstätte dient. Letzte Rettung wäre ein Batzen Geld. Max "Robin Hood" Kerner will deshalb das zwei Mio. Euro teure Bild klauen, gemeinsam mit seinem Team. Das Problem: Die angebliche Versiche­rungs­agentin Karen ist ebenfalls scharf auf den Delacroix. Und die hat mit Max noch eine persön­liche Rechnung offen…

2004 television film

1999 film by Thorsten Schmidt

2021 film by Timo Jacobs

Those who follow a voice aren't crazy. They're in love.

Feuerreiter is an elegant period drama that begins in Frankfurt in 1796. Through his friend, Baron von Sinclair, romantic and rebellious poet Friedrich Hölderlin secures the position of a private tutor in the home of a banker named Gontard. He is soon torn between his passion for poetry and his love for Susette, the lady of the house. To top it all off, Baron von Sinclair is in love with him. Hölderlin's most beautiful poems are written during this trying time. However, he becomes a total recluse when he loses Susette. The film examines the effects of conflicting demands, both emotional and sensual, that may inspire art. Feuerreiter was screened as part of the New German Films at the 49th International Berlin Film Festival, 1999.

1998 film directed by Hans-Christian Schmid