film directed by Kajirō Yamamoto

College student Yuichi Tanuma is fired up for Nationals where his university Kyonan will face off against their rivals, Seihoku. Yuichi has his sights set on winning football gold, but his father, who wants him to take over his sukiyaki restaurant, isn't too keen on this. Set in Kyoto, Hong Kong, and Macau, we follow Yuichi as he falls in love and chases after his dreams.

An evil brain from outer space unleashes monsters with deadly diseases on Earth with trying to conquer the universe. Superhero Starman must battle them all to save his planet.

A sensual love-story between two lesbian nuns.

Meiji Tenno portrays the buildup to the Russo-Japan War. In addition to showing the political events that led to war, it also shows the era from the story of a farm family in rural Japan that sends their son off to war. As such, it could be considered an anti-war movie, showing how, while war is devised by governments, the people do not really understand what war is, and its combatants often do not know what they are fighting for.

予科練の生活と倶楽部の民間人との交流を描く。戦意高揚映画ではあるが、人物描写等は評価されている。挿入歌『若鷲の歌』は大ヒットを記録した。

Toshie, a young, conservative secretary-typist has fallen in love with Shozo Narita, a young man she has met through her work.

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."

After the plans of a group of college students to cheat on their final exams goes awry, they're left to reassess their lives and educations and get back on track.

Wealthy young Toyomi and Shintaro are in love. However, Shintaro’s father is arranging for him to marry Yurie, the scion of an even wealthier family. The two lovers flee to Tokyo, but when Shintaro returns to proclaim his intent to marry Toyomi, his father browbeats him into attending the marriage meeting with Yurie. Part one of a two-part romance based on a story by noted author Kikuchi Kan.

Toyomi is pregnant -- and while Shintaro and Yurie are on their extended honeymoon, she bears his child, a girl named Kiyoko. She is supported in adversity by close friend Michiko and her mother but also, surprisingly, Shintaro's mother and siblings. Even moreso, Toyomi and Yurie become friends. Part two of a two-part romance based on a story by noted author Kikuchi Kan.

Tetsuo Nomoto, a young graduated student tries to find a decent job by himself. Later on, he will marry his girlfriend, Machiko, whom he hides the fact that he has no job. Hardships come quickly, which forces Machiko to find a job in a bar.

The Kinema Junpo critics were, of course, mistaken to think that Naruse had abandoned his emphasis on women. His next film, Sincerity, features two strong female characters, played by Irie Takako and Murase Sachiko, each of whom have a daughter. The girls are schoolmates, but one (Nobuko) is from a middle-class home and the other (Tomiko) is from a poor family. Tomiko's mother Tsutako (Irie) is a single mother who works from home as a seamstress, while Nobuko's mother lives in an elegant home with her husband, Kei. Eventually, it is revealed that Kei had a romantic relationship with Tsutako, and may be Tomiko's father as well, but he is conscripted shortly after this revelation and goes off to war.
This is very much a home front film, in which the women are involved in supporting activities, and the whole town cheers on the new recruits. As Kei is a banker, he is conscripted as an officer. He is introduced brandishing a magnificent sword, indicating his readiness for his call-up, for which everyone congratulates him when it comes. The wartime context is little more than a backdrop to the story of paternity and former love. The complex emotions among the women are conveyed through cutting on eye movements and eye lines, and through the use of the pastoral location.

Raucous small-time thief Kenji falls in love with sweet and simple Yazue, but when she finds out what kind of guy he really is, she leaves him until he proves to be honest. Kenji soon finds it's not so easy to get rid of one's past.

1967 film by Kihachi Okamoto