Marguerite Duras — Director (15)

Movie

奥雷莉亚·史坦尼(温哥华) (1979)
Aurélia Steiner (Vancouver) IMDb TMDB Douban
other title: Aurélia Steiner (Vancouver) / 오렐리아 스타이너 (벤쿠버)
Duras retrouve Aurélia Steiner, l'une des figures récurrentes de ses romans, et illustre, à nouveau, un courrier qu'elle a, cette fois, écrit à ses parents. À l'aide de plans non exploités du Navire Night, la cinéaste s'efface derrière un personnage mystérieux, qui dévoile progressivement son histoire et son passé.

Movie

Entire Days in the Trees (1977)
Des journées entières dans les arbres WikiData IMDb TMDB Douban
other title: 树上的岁月 / Des journées entières dans les arbres …
Duras's first work of short fiction, Des journées entières dans les arbres (Whole Days in the Trees and Other Stories), was published in 1954. Consisting of four stories, Des journées entières dans les arbres touches on several themes that Duras explored more fully in her later work—particularly the developing sexuality of young women—but in form and structure is more similar to her earlier works, which tend to be realistic and conventionally structured.

Movie

Woman of the Ganges (1974)
La Femme du Gange WikiData IMDb TMDB Douban
★ 7.3 10 ratings
玛格丽特·杜拉斯 actor: 凯瑟琳·塞勒斯 / Christian Baltauss …
other title: 恒河女 / La Femme du Gange …
A man returns to the place he once lived a passionate love affair with a woman who is now dead. So powerful are the emotions that seize him that he imagines she is still alive, and begins to live as if this were the case...

Movie

The Night Ship (1979)
Le Navire Night WikiData IMDb TMDB Douban
玛格丽特·杜拉斯 actor: 多米妮克·桑达 / 布鲁·欧吉尔 …
other title: 夜船 / Le Navire Night …
Each night in Paris, hundreds of men and women anonymously use telephone lines that date from the German Occupation and are no longer listed to talk to each other, to love each other. These people, shipwrecked lovers, are dying to love, to escape the abyss of solitude...

Movie

Destroy, She Said. (1969)
Détruire dit-elle WikiData IMDb TMDB Douban
★ 7.8 8 ratings
other title: 毁灭,她说。 / Détruire dit-elle …
The famed French ideologue of the New Novel and author of Hiroshima Mon Amour creates a hypnotic film about five alienated people isolated in an unworldly hotel. Enmeshed in ritualistic power games, they continuously exchange personalities as each acts out his own ambigious charades. A highly stylized, non-logical dialogue creates enigmatic fear; long, uniterrupted takes and absence of close-ups evoke ennui and distance. At the end, there is a mysterious climax of revolutionary destruction. ---- Amos Vogel “Film as asubversive art”