According to the story of the same name by Vladimir Makanin. Mitya Rodiontsev, a young employee of the research institute, for some time now became one of those who were in the close circle of the secretary of the director Aglaya Andreyevna and felt well protected from the vicissitudes of fate. Having become a “retinue”, Mitya was no longer engaged in science, but was busy for those who needed him, openly respected him and saw him as a future leader. But once Rodiontsev was not invited to the director’s office for a weekly tea party...

Having lived for his pleasure most of his life, floor polisher Ivan Karetnikov, on the threshold of his 60th birthday, did not for the first time leave his next wife himself, but she abandoned him, moreover, in public. In addition to these troubles, he was fired from his job, replaced by a mechanical polisher. In this difficult moment, Karetnikov remembered the first wife, and then the second and third. But turning to each of them, he seems to begin to lose hope of seeing compassion for himself.

Fighter pilot Nikolai Muravyov is experiencing a personal drama: his wife and son left for the mainland - they are tired of life beyond the Arctic Circle. Colonel Belyy, thinking that his wife will return to her husband if he serves on the mainland, sends Nikolai on a business trip. In the new unit, Muravyov meets his fellow student Yevgeni Shelest. Friends have to fly in pairs.

The story of how the hero of Viktor Dragunsky's stories - Deniska Korablev - meets his uncle, a sea captain.

The protagonist of the film, engineer Barkasov, finds himself in ridiculous and anecdotal situations all day. He is a responsible worker, the head of a large institution and is completely exhausted from pressing urgent matters. On the advice of a doctor, his deputy bought two operetta tickets for his boss and ordered secretary Sofochka to accompany Barkasov at an evening performance...

A poetic story about the first love of the village girl Natasha, loyal to the memory of the deceased fiancé. In peacetime, the heroine's fiancé blew up on a land mine that remained on the collective farm field since the war, and her life turned into a nightmare. But sooner or later, dreams end and the world opens again. Pregnant Natasha goes to the institutions, seeking to be signed with the father of the unborn child who died tragically. At the end, after long ordeals, she comes to the conclusion that writing in the marriage book will not change anything in her life.

Sergei Dolganov is a jack of all trades, a man of great soul and open heart. He wanders around weighing cities in search of happiness, and in all the cities where he visits, he builds fountains not for extra money, but only for beauty, in order to bring joy to himself and people. One day, fate brings him to the steppe state farm, where he meets a wonderful girl. Sergei understands that she is the one and only. But only the girl already has a gentleman, and in order to win her love, Sergei needs to try very hard.

Set in 1937 Stalinist Georgia, the film traces the parallel destinies of a mother, condemned by the government as "an enemy of the people" and exiled to a work camp in Siberia, and her daughter, who meanwhile is sent to an orphanage. Arriving at the overcrowded work camp, the mother and other women who are not considered strong enough to be labourers, must journey still farther, crossing the icy Siberian landscape in search of food and shelter. At the same time, the daughter escapes the orphanage and returns to her former home, where she finds that a KGB officer has taken up residence. He protects her and an uneasy rapport between them develops—one of abhorrence and attraction, need and suspicion.

An unmarried shy 40-year-old can’t find the courage to ask a woman on a date, so his womanizer friend, who promised to his friend’s parents he’d find him a girlfriend, sets out to find the perfect match.

A talented girl from the provincial Russian town Pasha Stroganova dreams of becoming an actress. She plays the role of Baba Yaga in the amateur theatre — and does it so organically that the visiting filmmaker offers her the most difficult role in the historical drama about Joan of Arc. She was given not only great acting talent, but the talent of deep, selfless love. A dream comes true: she is invited to the main role, and she begins a completely different life, full of real creative torment, insights and true happiness.