A young couple romantically contemplate the sunrise on the Buenos Aires waterfront. The talk becomes a discussion. The discussion in fight. And some fights can be irreconcilable. Each of them will go through the city separately, meeting with friends, family and even strangers, generating situations that will lead them to question how and why they got where they are. An external and internal journey, with learnings and reflections about love, the couple and life.

Una noche de tormenta, una casona cercana a una ruta poco transitada. La señora Haidi vive allí en compañía de sus perros. Un accidente en la ruta, una pareja: Pablo y Mara, que buscan auxilio. Entre la desconfianza y la cortesía la señora Haidi asiste a la pareja accidentada. Lejos de toda ayuda posible, sin señal de celulares y con las líneas interrumpidas, Pablo y Mara no tienen más remedio que pasar la noche en la habitación de huéspedes. Todo parece encajar en la normalidad y solo hay que esperar que llegue la luz del alba, pero en la soledad de la habitación Pablo y Mara develan su secreto.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Luis has just returned home after spending time in a neuropsychiatric, and Beatrice, his wife, he fears a relapse. The disappearance of the house cat and certain behaviors Beatriz Luis begins to grow increasingly suspicious of his behavior.