Miss Inge Becker is a telephone operator. She makes an appointment with her unknown opera singer West. Simultaneously, Rainer, the young director of the telephone distribution, makes an appointment with him unknown Miss Lotte Schröder. The location of the meeting and sign of recognition of the two pairs are the same. An exchange with consequences cannot be avoided, as the next day the director wants to speak with Inge, because she neglects her service.

Nora and Peter constantly fight and wish to divorce. Nora's uncle Eberhard, however, believes the two belong together and comes up with a plan to bring the two back together again: as a lawyer, who is processing the divorce, he explains to them that the paperwork for the divorce is completed, but will only go into effect once they undertake a reconciliation attempt. For the first reconciliation meeting, Eberhard enlists the help of his friend Christa and together, they turn Nora into such a hot tamale, that Peter burns with jealousy that any other man might look at her. At the second meeting of the two, which takes place a year later (how long do divorces in Nazi Germany take?!?!), Nora plays the girl abandoned by everyone. In the interim, she's given birth to Peter's son -- which apparently does not count as a reconciliation -- and Peter has become a successful composer. When Nora again disappears after this meeting, Peter does all he can to win her back.

1926 film by Arthur Bergen

The stories' setup: a bunch of passive weaklings being dominated by two strong and ambitious women who fight for the same man.

It’s 1910 and we’re in the duchy of Lauffenburg. Everybody is celebrating the 600th birthday of the local hero, Otto the Ironman, who in his time saved the duchy from annexation and beat the enemy so badly, that he fled ... well, that’s what it says in the history books, at least. Local gossip asserts, however, that Otto wasn’t even part of the battle and was spending his time having fun with a pretty girl. When one day a piece is introduced at the court theatre, which tells the heroic story of Otto, the director rejects the mediocre story.

When a wife reads a love letter addressed to her husband, written by an unknown female, all hell breaks lose.

When a female violinist joins an otherwise all-male musical quartet, the other members struggle to cope.

Robert and Dagmar have been married for seven years. And as we know, this is not just a lucky number in marriage. So even at the couple. Deflation with them and Robert also has very quickly found a new love - the young Manon . But instead of that Dagmar responded irritably, it represents only one condition: Robert to get her a new man. The search for his own successor is not so easy and way oppressed Him more Manon, who is afraid that he might return to his wife. But then Dagmar makes the proposal to go alone with Manon in a spa town and go there to look.