"Lionpower from MGM" (1967) is an exciting 60's promotional short subject, which showcases MGM's releases for the 1967-68 film season under a "five seasons" theme--fall, winter, spring, summer--plus a "fabulous fifth season". The main music is set to the rousing theme from "The Magnificent Yankee" composed by David Raksin in 1950. The promo is narrated by some of the best voice-over actors of the time, and is an excellent time capsule of a by-gone era.

1990 film directed by Al Festa

1996 film directed by Ken Cameron

The life of a priest seconded to a New Orleans police department begins to fall apart when he is wrongly implicated in the shooting of a suspect. However, it comes to light that the precinct is haunted by the spirit of a deceased policeman, who helps the beleaguered cleric to solve the case and clear his name.

In the summer of 1955, an army of cameramen, lighting techs and movie stars descended on the small, west Texas town of Marfa to film what has become, "the national movie of Texas."

David Cooper works in advertising but spends more time on his love life despite the fact that he is married. When his wife Linda discovers his girlfriends, she decides to get revenge by having an affair.

Gloria Ruckhauser has a dream: rediscovering the figure and features of herself when she was 20. Convinced that science is getting nowhere in the search for a cure to the aging process, Gloria sets up a foundation whose mission is to find a miracle potion. Various scientists take up the challenge and develop a substance that reverses the biological clock. Now, they face a new challenge. How to stop getting younger before it's too late.

This movie shows another side to spousal abuse that not too many people thought is possible--the husband being abused and the wife the abuser.

A woman attempts to escape her domestic problems by fleeing to New York in search of her father. She finds him, and also new problems, some friendship, a romance, and an unexpected career as pro-boxer, to make ends meet.

Jean Harlow arrives in Los Angeles as a teenager, pushed into showbiz by her mother and stepfather. Kindhearted agent Arthur Landau becomes Jean's mentor, while a devious Howard Hughes-like mogul grows infatuated with the beautiful young actress. Harlow herself falls for producer Paul Bern before tragedy strikes.

An airplane goes down in the ocean during a storm and a few survivors find refuge on a small tour boat. Swept out to sea, these people slowly starve to death in the hot sun with barely any food or clean water. With no place to turn, the boat survivors resort to cannibalism to stay alive...that is ..until the rescue planes come to pick them up and the man eating sharks decide its time to eat as well.

The pious John List regularly goes to church and is respected by his neighbours. But one day the police finds his wife Helen and their three children slayed in their house - obviously by John, who left two letters for the police and his priest and disappeared. Chief Richland is disgusted by the murder and starts an intensive investigation. In flashbacks we learn about the history of the disaster.

A wealthy man suffers from impotence whenever he tries to make love to his wife. Since Viagara hadn't been invented yet, his swinging liberal doctor instead recommends a strong dose of infidelity. Before long he is rolling in the hay with a young lovely and needless to say his impotence problem is cured (it's amazing that he doesn't have a heart attack though). His wife is a little bitter, however, and decides to embark on her own affair. And if you're wondering with whom, well, just look at the title.

Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.

Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.

Hard-edged cop John Kimble gets more than he bargained for when he goes undercover as a kindergarten teacher to get the goods on a brutal drug lord while at the same time protecting the man's young son. Pitted against a class of boisterous moppets whose antics try his patience and test his mettle, Kimble may have met his match … in more ways than one.

This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .

A veteran Broadway producer has a fling with his young drama student-secretary who truly loves him. When he realizes that he can't use her to regain his lost youth he turns the romance into the subject of his play.

1965 film