"Altitude 3.200" asks the question and provides the premise of what would happen if a group of young people----poor, rich, discontented, bored--- were given an idyllic community in which to live. Call it a colony. Call it a village. Call it one-world. Mainly call it a futile exercise in changing human nature, mores, culture and attitudes at any altitude. For t'ain't no time before clashing personalities, petty jealousy, violence and---that old demon---love create havoc. And isn't much longer before they become re-united in the face of an avalanche that threatens to destroy them. They all return to whence they came, sadder and wiser.

1937 film by Raymond Rouleau

In the absence of his wife, a clarinet player is induced by a friend to meet a call girl, but arrived after a crime. Perceived by some people leaving the scene of the crime covered by his raincoat, he became the only suspect for the police. His only hope is to discover the murderer before is name is mentionned publicly, specially in front of his wife.

Benvenuto Cellini knows no obstacles when it comes to creating a work of art or conquering the heart of a woman.

When Charles learns that his wife and her lover want to poison him, he thinks of killing both of them.

1941 film by Christian-Jaque

Based on the famous novel of Milos Crnjanski, the story follows Serbian migrations from the Austro-Hungarian Empire during the XVIII century.

Against the backdrop of the French revolution, young Caroline tries to reunite with her first love, despite her arranged marriage to an older politician.

1938 film by Maurice de Canonge

While celebrating his birthday, police inspector Basquier recalls two of his most celebrated cases. The first involves duplicitous moneylender Olga. The second concerns the brutal broad daylight murder of innocent young Yvonne.

Louis Mennechain is a modest locksmith. So imagine his amazement when Professor Piétrefond approaches him and tells him he recognizes in him a descendant of the kings of France, more precisely of Louis XVII (the king who never reigned). According to him he is none other than the monarch's great grandson. Louis's life is soon turned upside down as he becomes the center of attention of a group of ardent royalists. Even a duchess "gives" him her love to make sure that he accepts his role as pretender to the throne...

During the Occupation, Cora takes the place of her dead husband at the head of a Resistance network. One evening, she sympathizes with Bernard, a Swiss journalist. However, he is actually an undercover German officer who is close to the man ordered to find her using an Identikit picture...

1920, in a small village in Provence. Monsieur Pascal, a young schoolteacher, is faced with a lack of interest from his pupils. He decides to radically change the methods employed by his predecessor. He listens to the children, draws inspiration from their discoveries and takes them out into nature. The pupils will rediscover the pleasure of learning, and he will rediscover the pleasure of teaching. But some parents and notables don't take kindly to this little revolution.

A woman in Paris hires a taxi driver to locate her ex-lover, father to her newborn child, who left her without leaving an address.

1981 film by Christian Gion

Arsène Baudu and Hyacinthe, a pair of small-time crooks, fall prey to Alexandre Larsan-Bellac, who involves them (against their will) in high-profile swindling, but their success is quite limited. For starters they are deceived by Mrs. Paterson, a charming widow. Later on, Ribeiro, a Portuguese contractor and former victim of the two crooks, traces them and forces them to work on one of his building sites for damages. Just then, Larsan-Bellac resurfaces with plans to lure Ribeiro once again. —Guy Bellinger

A wealthy businessman's wife tries to cover up his suicide to cash in his life insurance policy.

A young Parisian woman attends a school for coquettes in order to rise in society.

1938, France, Paris, at the Superior Conservatory of Dramatic Art ("Conservatoire Supérieur d'Art Dramatique"). The first-year entrance exams are in full swing. Many applicants, few accepted. Isabelle (Janine Darcey) is one of the few chosen. She joins former students from the second and third years, including François (Claude Dauphin) and Cécilia (Odette Joyeux). They attend the drama class run by Professor Lambertin (Louis Jouvet). The young people, passionate and eager to become comedians, clash in tumultuous love affairs, because by dint of acting, they imagine that life is a farce. François, for example, is in love with Isabelle, who also loves him, but is pursued by Cecilia, his former mistress... "Put art in your life and life in your art!"