A Texas oil millionaire, after failing to secure oil lands in Argentina, seeks out a famous racehorse in Buenos Aires and orders his representative to buy the nag at any price. The representative, Tim Kelly, has a love affair with Lolita O'Shea, the beautiful daughter of the prize horse's owner.

A marshal goes up against a collection of vicious outlaws terrorizing his own.

When a matador leaves town to focus on his music, his twin sister takes on his identity in the bullfighting ring.

A reportedly dead man haunts his wife and her boyfriend.

1946 film by Emilio Fernández

Bill wants to join the Army, but he's 4F so he asks a wizard to help him, but the wizard has slight problems with his history knowlege, so he sends Bill everywhere in history, but not to WWII.

Chan is faced with suspects in a stolen atomic bomb formula case, that are being killed with bullets that are not fired from a gun.

A band of Basque immigrants treks through the Old West toward California, where they hope to put down roots and open wineries. When the group's leader dies, his widow Gabrielle marries his brother in accordance with Basque tradition. But it's a loveless union; Gabrielle is smitten with Lon Bennett, the scout who's been hired to guide them on their journey.

After losing nearly all of an inheritance to taxes, sisters Kay and Barbara Latimer, waitresses at a drive-in restaurant in Texas, scheme to find rich husbands. With the aid of their aunt Susan, the sisters take the last of their money and head to a well-known Miami resort where they soon meet two wealthy young men, Phil and Jeff, who begin a fierce rivalry for Kay, not realizing that Barbara has fallen in love with one of them.

Maria Felix, the archetypical Mexican movie star, plays one of her bad/good girl roles, with elements of the characters played by Joan Crawford, Barbara Stanwyck and even Marlene Dietrich. (she sings a song by her then husband, the famous composer,Augustine Lara). Arturo de Cordova's tortured lover is reminiscent of his role in Buñuel's Exterminating Angel. There's some extraordinary photography , stylized sets (the furniture designer gets a credit) and outrageous dresses for La Doña, as Maria Felix is still known in Mexico. It's definitely one of the styles that Buñuel expanded in his early Mexican films like the 1955 "Ensayo de un crimen."