The central motif of the four-part love story Brush Me Tender, Brush Me Sweet is the complicated relationship between two surprising heroes who cannot be together, but neither can they be without each other, and are learning to live in a world affected by the coronavirus. They are Kartí and Pucinka, toothbrushes.

Story of two brothers whose cinematic fate intersects with real events surrounding a group of correspondents of the international editorial office of Czechoslovak Radio in the period 1967-1968. The prototypes for the film characters were real members of the then Editorial Board of International Life, headed by Milan Weiner.

十二岁男孩Tomáš终日拿着照相机当玩具，除了拍学校和女生之外，当然还包括爸妈和自己的家。他偷藏镜头偷拍爸爸，却逐步揭露成人世界的秘密。他的死党Haris同样机不离手，不过却是借镜头之助躲开暴力爸爸。八十后捷克演员Jiří Mádl初次执导，找来两个活泼讨喜的鬼灵精男孩，以十二岁的视觉感知世界，在简朴小镇的明媚阳光下，拍出孩子的天真、成长的苦涩，还有哥儿们的手足情义。

Situated in Prague, a 20-year-old Vietnamese named Song, hoped for a better future in Europe. But now in a Vietnamese district in Prague, he is trapped in a marijuana grow house and has life of a modern slave. Police rounds up the place. Song runs away on the rooftop of a condo building in a nearby district where he breaks down. Mr. Rypar (78) lives alone. He is fond of the old times, living in a strong opposition to modern world. Rypar goes up on the roof and meets Song standing on the very edge of the roof crying and the story begins.