A parson arrives in the midst of a bunch of wild cowboys. Expecting a male parson, the boys set out in full force to receive him, but on the road when they suddenly run into the one-horse shay of a female parson, they keel over in surprise. Right after her arrival the boys begin to lay plans to get in right, while the parson loses no time in starting a campaign for the defeat of Satan. She begins by posting a sign near the town horse trough to the effect that "Cleanliness is next to Godliness." Of course the boys see the sign and immediately there is a sudden disposition among them to make use of soap, water and brush. One cowboy in particular is very much in love with the parson. He shows his affection only too plainly, and so the boys decide to play a trick on him. Their practical joke unintentionally is not only the means of frustrating a plot against the parson, but it brings the parson and her lover together.

A young man of high social position sacrifices his home and family for a girl of the stage. Cast off by his family, the young man finds that he is not qualified to earn his living. In the meanwhile his wife grows ill, a child is born, and several years after, the man finds himself in narrow straits. He prepares to go out and burglarize a place. His child enters when he leaves his revolver on the table. The child plays with it as with a toy and then innocently removes the bullets. The father comes back and takes the revolver and goes out. Accidentally, the son breaks into his own father's office. The father happens to be working late that night. The son breaks in, tries to shoot his own father. By the intervention of God, the son is saved from a patricide.

Alice Guy's version of Edgar Allan Poe's The Pit and the Pendulum. This film is partially lost.

A noted philanthropist is captured by a rowdy gang, but one of the children involved resists the gang's insistence that he turn to a life of crime.