Gharib recalls his life’s journey, which intersects with what the city of Suez experienced over two centuries through the Triple aggression and the Defeat of 1967. Gharib meets Mahmoud, who had been with his father in the people's resistance and they work together in resistance activities.

It is impossible to live between Doria and her diplomatic husband, Medhat, who asks him for a divorce, but he refuses. She is forced to go to court and file a divorce. Doria falls into the maze of the courts and is exposed to a series of problems and obstacles that undermine her dignity. Things get complicated when the husband comes with false witnesses testifying against her in secret. She loses her case after more than four years.

When Shaikhon marries Dalal, a belly dancer, they are blessed with two kids. Shaikhon steals Dalal's money to buy the club where she works. Dalal gets back at him and reports him to the police who have him imprisoned. When he comes out of prison full of vengeance, his past ghosts still haunt him.

Nawara works as a housemaid for a family closely linked to the Mubarak regime. On the eve of the 2011 revolution the family decides, for safety, to leave the country temporarily and ask her to look after the villa. Flush with cash for expenses, Nawara calls her fiancé Mustafa and the two are soon enjoying a taste of life at the top. Her journey from the alleys of her poor neighborhood to the luxury compound brings with it the worries of the people and their simple dreams—and an experience she could never have imagined.

Freed after spending years in prison, an activist's homecoming turns into a dark affair as his disillusion clashes with his family's expectations. Demonstrating Chahine’s eclecticism, this is an elegant melodrama, exuberant musical, layered allegory, and profound portrait of personal and political disillusionment.

1977 film by Henry Barakat

This complicated and surreal autobiographical film explores the personal life and fantasies that have shaped the motion pictures of Youssef Chahine. Taking a stand for democracy, Yehia (Chahine’s on-screen alter ego), joins a hunger protest which has rallied together the entire Egyptian film industry. As the strikers mount their demands, the director becomes overwhelmed by his infatuation for Amir, the young actor whose career he launched with the film Alexandria… Why? But this obsession is soon overshadowed by his interest in Nadia, the beautiful ingénue whom he decides to cast in his next feature. The final chapter of Chahine’s Alexandria Trilogy.