Seven huge holes appear in Japan — could they really be gods? Eight people and their teacher share their stories and secrets before entering the unknown.

A master thief infiltrates politics to slyly pull off the ultimate heist of corrupt political funds.

Awaiting prenatal screening results, Mai’s mounting anxiety collides with her husband Koichi’s passive avoidance, escalating hidden spousal tension into unbearable friction.

Saeki works with death-row convicts as a prison chaplain. He tries to instill the prisoners with a sense of morality and help them become a better person. He is a good communicator with the death-row convicts assigned to solitary cells. Saeki agonizes over whether his words really touches the prisoners and whether he is doing the right thing. Saeki also faces his past which he wants to forget. --asianwiki

15岁的中学少女聪子（姬野花春饰）正值情窦初开，在日常妄想中经历青春的萌动；35岁的沙都子（有村架纯饰）在电影发行公司任职，深陷一段长达6年的婚外情僵局中自嘲挣扎；55岁的里子（石田光饰）则在结束了20年的“便当主妇”生涯后，试图重新寻回自我。 当她们开始动笔书写属于自己的故事，三段迥异的人生轨迹在奇妙的交汇中逐渐重叠。

Compilation film featuring short works from directors Hitoshi Yasaki ("Short Cakes"), Yuki Tanada (scriptwriter "Sakuran," "Tsuki to Cherry"), Hiroyuki Nakano ("Stereo Future," "Samurai Fiction"), Masahiko Nagasawa ("Yoru no Picnic"), Masaya Kakehi ("Bijokan), and more for a total of 18 shorts. This time around the theme is "24 hours," where filming for each work must have been completed in 24 hours in order to appear in this film.

When runaway teen Ju-Ju is embraced by a tribe of misfit youths in Kabukicho, she finds belonging for the first time — until betrayal and despair twist her haven into a prison, and she's left with one way to take back control.

桐島聡は1975年に連続企業爆破事件の被疑者として全国に指名手配されたが、逃亡から約49年後の2024年1月25日に病院へ搬送され、4日後の1月29日に死去した。死亡の直前、担当医師に本名である“桐島聡”として死にたいと語ったそうだが、そこには多くの謎と、逃亡生活の終焉や自らの死を予感した決意が含まれていたという。逃亡中は“内田洋”という偽名を使用し、地方都市で絶望的な孤独の中にいた桐島。本作は、彼が逃亡生活に見出そうとしたものと向き合っていく。

2005年にタリウムによる母親毒殺未遂事件を起こして世間を騒がせた「タリウム少女」。彼女をモチーフとした16歳の少女が主人公のメタフィクション。鋭くクールな視点で現実を問う、超問題作！

Mikuri and Hiramasa both work and share housework duties. They have peaceful days together. One day, Mikuri learns that she is pregnant. They decide to marry, but they soon face problems. Mikuri suffers from pregnancy sickness and Hiramasa decides to take a paternity leave before an important project is finished. The couple experience unfamiliar situations involving childbirth and rearing. They go through difficult times.

本剧以日本镰仓和韩国釜山为舞台，描写了不断变化的时代中家庭故事：住在镰仓老家的自由编辑长女涩谷叶子（松隆子 饰）、工作不稳定的妹妹涩谷都子（多部未华子 饰）、在江之岛电铁担任保线员的弟弟涩谷潮（松坂桃李 饰）三姐弟，在交通事故中失去了父母和祖母。在二十三次忌的法事回来的路上，都子突然告知大家“去韩国吧！”以此为契机，姐弟各自迎来人生分岔路。与此同时，姐姐遇上了痴迷于叶子并执拗地纠缠她的人气作家·百目鬼见（星野源 饰）。

本剧以日本镰仓和韩国釜山为舞台，描写了不断变化的时代中家庭故事：住在镰仓老家的自由编辑长女涩谷叶子（松隆子 饰）、工作不稳定的妹妹涩谷都子（多部未华子 饰）、在江之岛电铁担任保线员的弟弟涩谷潮（松坂桃李 饰）三姐弟，在交通事故中失去了父母和祖母。在二十三次忌的法事回来的路上，都子突然告知大家“去韩国吧！”以此为契机，姐弟各自迎来人生分岔路。与此同时，姐姐遇上了痴迷于叶子并执拗地纠缠她的人气作家·百目鬼见（星野源 饰）。

After losing her fiancé in an accident, Saeko feels an inexplicable connection to a stranger — who, by a twist of fate, received his heart and memories.

单亲爸爸长峰重树与爱女两人相依为命，过着平凡安稳的生活。直到一天，重树迟迟没等到打工结束的女儿返家，只等到一具死状悽惨的尸体。几天后，重树接到匿名来电，得知弑女凶手的真实身份，这些犯下残忍罪行的少年犯，于少年法的保护伞下无法加以严惩，为了女儿，他决定展开复仇行动。

本剧讲述了日本突然出现7个巨大洞穴，包括比大楼更大的洞，穿透云层的洞，出现在城市中心的洞。人们陷入混乱，疲于应对，进行了各种各样的调查，但是洞的真面目还是不知道。虽有很多人进了洞，但尚未有人回来。于是，出现了以穴为神的人——小泽，其相信“洞中有救赎”。随后，12月1日，八名以小泽为首的男女信徒团体聚集在度假村，按照小泽所说的规则，入洞前必须说出“为什么想要入洞”并进行记录，在相互倾诉之后，他们将抵达怎样的未来？

太平洋戦争では、日本軍の戦いをもう一つの戦いが支えていた。ラジオ放送による「電波戦」。ナチスのプロパガンダ戦に倣い「声の力」で戦意高揚・国威発揚を図り、偽情報で敵を混乱させた。行ったのは日本放送協会とそのアナウンサーたち。戦時中の彼らの活動を、事実を元にドラマ化して放送と戦争の深い関わりを描く。 国民にとって戦争はラジオの開戦ニュースで始まり玉音放送で終わった。両方に関わったのが天才と呼ばれた和田信賢アナと新進気鋭の館野守男アナ。二人は大本営発表の勝利を力強く伝え国民を熱狂させた。同僚アナも南方占領地に開設した放送局に次々と赴任し、現地の日本化を進めた。やがて戦況が悪化すると、大本営発表を疑問視する和田と「国家の宣伝者」を自認する館野は伝え方をめぐって激しく衝突。出陣学徒を勇ましく送り出す実況を任され、ただ苦悩する和田を妻・実枝子が叱咤しったし目覚めさせる。そして館野もインパール作戦の最前線で戦争の現実を自ら知ることになる。

本作は、ある出来事をきっかけに夫や周囲の人々、そして自分自身とゆっくりと向き合っていく1人の女性を描く物語。主人公・綿子を門脇、冷め切った関係の綿子の夫・文則を田村健太郎、綿子の親友・英梨を黒木華、綿子が友人の紹介で知り合う木村を染谷将太が演じる。劇団た組主宰の演出家であり、映画「わたし達はおとな」を手がけた加藤拓也が、監督・脚本を担った。配給はビターズ・エンド。

　　本剧讲述的是原预备校的英语讲师古泷一路和现在无职业、过着俭朴生活的哥哥古泷一路，以及突然搬进哥哥家的弟弟二路（泷藤饰）之间的故事。对2人开始的“租赁老爷爷”的委托内容，退休后的丈夫的样子很奇怪，朋友是不是孤独死去了，3个月后世界就结束了……等奇怪的案件。笨拙的兄弟，一边从孤独的委托人们各种各样的胡作非为奋斗一边世间生存。

Of all the law related dramas inside and outside of the country, a majority of lawyers are depicted as heroes, either bringing tears to your eyes helping the weak underdog, or trying to advocate justice to the extreme. This has led the general public to view lawyers with eyes of respect and envy. However, the main character of "Legal High!!" stands miles away from that stereotypical identity of a lawyer. Komikado Kensuke is stubborn, abusive in his language, sarcastic, moody, and an extravagant spender. To the contrary, he has never lost a case in his life. A genius at bargaining and building strategy, winning is everything to Kensuke. His love for money, fame, and women obviously collects the dislikes of other professionals in the field. Kensuke loathes the textbook of justice the young lawyers try to brandish. Unexpectedly, Mayuzumi Machiko is a lawyer who passed her bar exam through hard studies. She is overly earnest in her mission of saving the weak, and rather clumsy and incapable of planning ahead. Her lack of versatility and strong righteousness drives her reckless, without compromise to her convictions. Passionate and determined, she is the complete opposite of Kensuke's character. "Justice is the winner," Kensuke stands by this belief without doubt. Despite the skepticism he receives for his sensational efforts, the people surrounding him begin to see that their view was but a pipe dream. In the courtroom, Kensuke reminds us of the feeling we had all forgotten: To fight with all our energy and to never give up