Marie-Louise, ravissante fleuriste, a un amant Michel, qu'elle adore. Mais Michel veut la quitter pour retrouver Geneviève. Un client, Armand, se présente; laissé seul dans le magasin il entend, au dessus de sa tête, une forte dispute entre Michel et Marie-Louise, suivie de trois coups de feu. Marie-Louise, de retour dans son magasin, déclare: "Je l'aimais trop, je l'ai tué". En fait, Michel est en parfaire santé; prévoyant la colère de Marie-Louise, il avait pris ses précautions et échangé le chargeur de revolver pour y substituer des balles "à blanc"; et ensuite, pour éviter qu'elle ne découvre la supercherie, il s'empresse de remettre en place le chargeur de cartouches de vraies balles. C' est alors qu'Armand découvre que la femme aimée de Michel n'est autre que sa propre épouse Geneviève. Que va t-il faire ? Va t-il, alors, tuer Michel ?

Christiane, a gullible young girl who wants to become a dancer, is lured by Daniel, a handsome, elegant talker. He takes her to Tangiers and forces her to work in a shady cabaret. Christiane is in for a rude awakening.

En rentrant d'une soirée avec un ami médecin, Françoise découvre le corps à moitié dévêtu d'un homme qu'elle fait installer dans sa maison en attendant qu'il reprenne ses esprits. Pendant ce temps, Jérôme, son mari, égratigne son mariage dans les bras d'une maîtresse, Sylvie. Rongé par le remords, il décide de rompre et veut confesser sa faute à sa femme. Cette dernière est convaincue, non pas de son infidélité, mais d'un casse qu'il aurait commis au même moment, l'homme retrouvé inanimé ayant reconnu sa voiture. Il s'ensuit un quiproquo dont Jérôme découvrira qu'il a été victime d'une machination...

Maria, une grande tragédienne, a des envies de changement radical dans sa carrière. Chanter, danser, changer de registre et se rajeunir: c'est devenu une obsession. Pour y arriver, elle fait appel à son ex-amant Simon qu'elle a quitté autrefois, devenu chorégraphe prisé des stars à Broadway. Les retrouvailles sont quelque peu tourmentées...

Having cured the local café owner, Diogène Leguignon becomes convinced that he is a healer and possesses the fluid. His wife sees the benefits of this gift and urges Diogene to exercise his power, particularly on a wealthy old man, M. Coq. Arlette Leguignon, however, is in love with a young doctor, who is violently opposed to her future father-in-law. Leguignon ends up condemned and, disgusted, no longer wants to look after others. When Mr. Coq dies, making him his legatee, Leguignon has to contend with the Coq family. This time, Doctor Martinet comes to his defense. The inheritance is used to build a clinic where Leguignon can carry out his experiments as a magnetizer.

A group of drifting youngsters train to commit petty thefts. A certain André puts them on the trail of a real hold-up. They might carry it out if a suicide attempt didn't stop them. A young woman throws herself into the river. They save her, comfort her, learn that she's pregnant. They surround her with their friendship. When André reappears and seizes Lucienne to throw her on the pavement, everyone unites to save her, and the kind-hearted Maurice offers to be the baby's loving father.

A private eye finds that her professional and personal lives are beginning to intertwine in this French drama. Maxime Chabrier (Anémone) is a woman in her mid-40s who works as a private detective. Despite her chain smoking and sloppy appearance, Maxime is regarded as a skilled investigator by her colleagues and considered the best PI at her agency by her boss. While Maxime has romantic dalliances with both men and women, she hasn't been involved in a long-term relationship since she left her husband 15 years ago. However, Maxime is hired to look into a case that suggests that her former husband has become involved with insurance fraud, which brings her into contact with her 17-year-old son Baptiste (Gregoire Colin) for the first time since the divorce. Just as Maxime is trying to mend fences with her son and find out what her ex has gotten himself into, she finds herself falling in love with Jacques (Michel Didym), an economist.