A miniature parable about a young boy who misunderstands the function of a bird feeder.

Short documentary on Poland's first steam locomotive.

Documentary about the hometown of Wojciech Has.

A father searches for his son, who has been missing since WW II, in post-war Poland. In his quest for the truth about his son, the father is forced to contemplate the elusive and coded nature of truth itself.

1984 PISMAK / WRITE AND FIGHT (screenplay by Wladyslaw Terlecki based on his own novel) - Set in a prison during World War I, the film centers on a journalist who aspires to be a writer and is imprisoned with a safe-robber and a monk. His cellmates appear to him to be the perfect topic for a novel. Critic Jan Slodowki described the film as "a study in isolation told through the three voices of three people condemned to be with each other; among them, the writer, a maturing artist, his gaze fixed on himself, proves the central figure."

1961 ZLOTO / GOLD DREAMS - An ensemble cast features in this psychological drama (screenplay by Bohdan Czeszko) that almost seems to be a routine propaganda film. Set on the building site of an energy plant, it centers on a young man who finds it difficult to work in a team and simultaneously harbors a secret. He is running from responsibility for he believes that while driving he hit and killed a pedestrian. In time, it turns out that he in fact it a dog. Has appeared in this film in a bit part, portraying a police officer.

The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

The 18th century tale of a youngster whose memories, recounted after death, are a long series of wrong moral choices ending up with his killing his evil alter-ego, that is committing suicide.

1958 film by Wojciech Jerzy Has

A suicidal alcoholic’s last day teems with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel ‘The First Step in the Clouds’, Has’ feature debut is cinematic delirium tremens, as young man Kuba Kowalski escapes his cramped flat to wander from bar to bar, unable to escape the trap of isolation. The metaphorical noose tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.

A dream-like odyssey of a young man across plague-ridden 16th century Germany.

A well-known professor of medicine finding himself at the threshold of autumn of his life, takes stock of his achievements and experiences. "In the end it ends with what has been known for a long time: that conscious life without a fixed worldview is not life, but torment, horror. - wrote Anton Chekhov in one of his letters summarizing "An Uninteresting Story". The protagonist, Professor Nikolai Stepanovich, is a character characteristic of Chekhov's entire oeuvre - a Russian intellectual from the late nineteenth century, depressed by boredom and a sense of his own uselessness and the meaninglessness of his existence.

1963 film by Wojciech Jerzy Has

1973 film by Wojciech Jerzy Has

1965 Polish film by Wojciech Jerzy Has