Prabir goes to war where he meets his doppelganger, Rataneshwar, who eventually dies in combat. Prabir decides to visit Rataneshwar's family to inform them about his death but the family mistake him for Rataneshwar.

Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle.

A selfless young woman, the daughter of a middle-class refugee family from East Pakistan, sacrifices her own happiness for her unappreciative family.