2004 television film directed by Urs Egger

Early evening - a big city. Two teenagers shyly flirt with each other, a housewife sits down to watch her daily soap, nurses in a hospital gossip before the nightshift starts, a trendy couple drives through rush hour, so excited they can hardly wait to get home - a man with a rifle enters a building seeking revenge. In the blink of an eye seemingly unrelated events turn upside down what were once secure, happy, 'normal' lives. Behind fear, beyond the unexpected, there is love and hope.

In a small farming valley in Austria in the beginning of the 20th century a tyrannical farmer is found dead, and all the farmhands are relieved to be free of their tyrant. But the farmer was childless, so suddenly they all inherit the farm together. Now conflicts begin, as nobody is the boss and nobody has to obey.

2004 film by Sandra Nettelbeck

The brothers Kipp and Most set off to inherit their grandmother's estate. Along the way, they meet Viktor, a deserted Russian soldier who kidnaps them, and Nadine, who joins them voluntarily. On their way to their inheritance, the protagonists get into some seemingly hopeless situations.

Der brillante Arzt Dr. Knock aus Karlsruhe übernimmt eine Landarztpraxis in Bayern. Um seinen Traum von einem lukrativen Sanatorium zu verwirklichen, muss er leere Wartezimmer, leere Kassen und leichtgläubige Bürger überwinden. Und so intrigiert Dr. Knock skrupellos. Er erlangt Macht, Prestige und das begehrte Anwesen. Doch was hat es mit den blauen Briefen ohne Absender auf sich, die in der Praxis auftauchen?

Berlin is a construction site and Franz lives right in the middle of it: He is trying to keep his small publishing house going, but renovation work in his building runs right through his office – and to top it all, his business partner and girlfriend have both deserted him. However, fortune seems to be smiling on him when the friendly woman in a hard hat who passed him on the tram turns out to be his new neighbor.

Winter in Vienna. Children disappear. For now without a trace, then their bodies are found. A gift for the tabloid press. For the police a series of defeats. Politically a problem. And at the same time the long-awaited opportunity for the ambitious interior minister. The organized crime is in trouble. The child murderer must be found so that all other dirty jobs can go on.

Alexander Kluge’s News from Ideological Antiquity begins with Russian filmmaker Sergei Eisenstein’s ambitious but unrealized plan to combine Karl Marx’s Capital and James Joyce’s Ulysses. For over nine hours, the film expands in concentric circles as Kluge, his guests, interlocutors and monologists make associative links on a range of topics that starts from a filmic discussion of Eisenstein’s notes.

ELFRIEDE JELINEK: "Language Unleashed" Child prodigy, scandal writer, traitor of the fatherland, theatre fury, feminist, model lover, communist, pessimist, language terrorist, rebel, enfant terrible, defiler of the nest, brilliant, vulnerable artist, Nobel Prize winner.

2020 German television series

Molly Monster is going to have a sibling soon, but his good friend Edison is a little bit jealous and worried she might forget about him. When Molly's parents have to travel to the Island where monster parents hatch their eggs, Molly is not allowed to go because she is too young, nonetheless she decides to reach them on her own as soon as she realizes they missed to bring her sibling's gift with them.

On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt. Berlinale 2014