Mickey, a smart student from England, is on his trip to Japan for vacation. He meets with a Chinese girl Lin Fang on the way. They each have the same model of camera. But they have their cameras exchanged without their knowing it prior to their departure.

A teacher in a poor island community tries to improve his students' spirits by entering them in a volleyball tournament as long-shot underdogs.

Comedy about a 50-something movie director, his new bride, a classical dancer, and his adult son and daughter and their loves.

Mid 50s: the trials and tribulations of Shinsuke Ibuki, freshly arrived in Tokyo from Kyushu.

Following the Second World War, the lives of various people in a poverty-stricken area of Tokyo are entertwined. Pachinko parlor girls, shoeshine boys, a maker of costume jewelry, and a streetcorner artist all struggle to make their livings and to find happiness in difficult surroundings.

Seventh movie of the Wakadaishō series directed by Kengo Furusawa.

A Japanese girl and a French boy make strides in overcoming the cultural barriers that prevent them from fully expressing the love they have for one another.

The ruthless and ambitious Yasuhiko uses his charm to manipulate and exploit those around him to climb the corporate social ladder. His cold-blooded ascent eventually leads to moral decay as his past actions begin to catch up with him.

The closest Japanese cinema ever came to the full-blown Broadway-style musical, with singing and dancing on the streets of Tokyo, music by avant-garde composer and jazzman Toshiro Mayuzumi, lyrics by renowned poet Shuntaro Tanikawa, and direction by one of Toho’s most prominent “new wave” directors, Eizo Sugawa. Popular jazz drummer and actor Frankie Sakai stars in this comic version of the “industrial competition” genre: two tourism companies compete for foreign clients in the run-up to the 1964 Tokyo Olympics. Highlighting the coming internationalization of Japan, the film dramatizes the felt tensions between tradition and modernity, the pressures of the “economic animal” lifestyle, and the energy of high economic growth.

Three humorous love stories set in rural Japan.

Portmanteau film about young lovers.

The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.

Continuation of The Blue Mountains: Part I. Released a week later.

When the only son of a working class woman is fatally struck by a car driven by the adulterous wife of a company president in a hit-and-run, the victim's mother changes her identity and infiltrates the couple's home to work as their maid, plotting to murder their similarly-aged son.

A taut, economical policier-cum-gang-hostage thriller.

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself “already dead.”

Stalwart soldiers of the Japanese Empire – Japanese and Korean alike – stand in defense of a military outpost threatened by "bandits."

Mainly the story of Shinsuke and his stepmother, ranging from Shinsuke's infanthood to his mid-teens. Coal workers and the mines dominate nearly every aspect of the life of the characters. Shinsuke's father dies while bravely using dynamite to rescue a group of trapped Korean miners. Several older men attempt to help he and his mother cope, including a kind Korean and a Harley-riding yakuza.

On a post-war peaceful day in Japan, Toyomatsu Shimizu, a barber as well as a good father and husband, is suddenly arrested by the Prefectural Police as a war criminal and sued for murder.