The film consists of five short stories that reflect five stages (1947 — 1950 — 1957 — 1967 — 1982) the action programs of the heroine of the film, from the age of fifteen, rushed to a typical goal for that time — to smile from the front page of a central newspaper. Her fate is not simple: unhappy love, life with the unloved, a labor colony, love again, then love in return, earthquakes, fires, devastation. The heroine is getting closer to the goal and nothing can stop her..

A finding of an old briefcase in a ruined house in 1970s leads to a treasure, hidden in the 1920s.

She is smart, surrounded by parental attention and therefore not completely independent, and he is one of those who cannot imagine himself without creation, since he is a builder. They are very different people, but the young are united by a keen sense of responsibility for everything that happens around. And so, having parted, they will definitely meet again...

The action takes place in Siberia where a mysterious wall appears from time to time. Scientists are dispatched to study it and some of them believe that the wall is produced by some sort of alien intelligence, "the Martians", as they call them. The scientists attempt to communicate with the Wall, but all they experience in return are hallucinations about their past experiences. In those visions they are faced with some unresolved issues, repressed memories, and absurd dream-like situations. They meet people – messengers – from their past who reveal to them some simple truths about their own lives, which may be hard to accept, so they dismiss those messengers as the Martians and stubbornly continue attempting to "understand" the Mysterious Wall using their rational minds.

The film shows the daily life of an architecture studio, where a young student comes to work on his dissertation.

During the main withdrawal of troops from Afghanistan, a company of hardened paratroopers under the command of Major Bandura are joined by Steklov, the son of a high-ranking officer.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.